Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité

The representation of nature as a source of enjoyment both aesthetic and intellectual is a characteristic of the discourse on natural history in the beginning of the nineteenth century. This conception of science is often associated with romanticism as a literary movement and thus, opposed to the ut...

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Main Author: Marie Lemonnier
Format: Article
Language:English
Published: TELEMME - UMR 6570 2014-09-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/2121
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author Marie Lemonnier
author_facet Marie Lemonnier
author_sort Marie Lemonnier
collection DOAJ
description The representation of nature as a source of enjoyment both aesthetic and intellectual is a characteristic of the discourse on natural history in the beginning of the nineteenth century. This conception of science is often associated with romanticism as a literary movement and thus, opposed to the utilitarian discourse about nature of the Enlightenment. This article is a short reflection on the origins of this convergence between aesthetic, sensibility and science in natural history. This acknowledgment that sensibility as a part to play in science does not appear in rupture but rather in continuity with a discourse that admits pleasure and the aesthetic of nature which already exists in the eighteenth century. This discourse that insists on the alliance between utility and pleasure is observable in a « curiosity culture », which takes its roots in the practices related to natural history's cabinets and collections and also in the « curieux » and amateurs' social networks of the eighteenth century.
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spelling doaj-art-a711d17be53642d7b89146951a2cf1952025-01-09T16:31:55ZengTELEMME - UMR 6570Amnis1764-71932014-09-011310.4000/amnis.2121Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiositéMarie LemonnierThe representation of nature as a source of enjoyment both aesthetic and intellectual is a characteristic of the discourse on natural history in the beginning of the nineteenth century. This conception of science is often associated with romanticism as a literary movement and thus, opposed to the utilitarian discourse about nature of the Enlightenment. This article is a short reflection on the origins of this convergence between aesthetic, sensibility and science in natural history. This acknowledgment that sensibility as a part to play in science does not appear in rupture but rather in continuity with a discourse that admits pleasure and the aesthetic of nature which already exists in the eighteenth century. This discourse that insists on the alliance between utility and pleasure is observable in a « curiosity culture », which takes its roots in the practices related to natural history's cabinets and collections and also in the « curieux » and amateurs' social networks of the eighteenth century.https://journals.openedition.org/amnis/2121FranceNatureDiscoursesNatural HistoryEighteenth CenturyNineteenth Century
spellingShingle Marie Lemonnier
Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
Amnis
France
Nature
Discourses
Natural History
Eighteenth Century
Nineteenth Century
title Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
title_full Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
title_fullStr Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
title_full_unstemmed Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
title_short Sensibilité et esthétisme dans la pratique de l'histoire naturelle en France (XVIIIe-XIXe siècles) : un héritage de la culture de la curiosité
title_sort sensibilite et esthetisme dans la pratique de l histoire naturelle en france xviiie xixe siecles un heritage de la culture de la curiosite
topic France
Nature
Discourses
Natural History
Eighteenth Century
Nineteenth Century
url https://journals.openedition.org/amnis/2121
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