“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-di...
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Format: | Article |
Language: | English |
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European Association for American Studies
2010-11-01
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Series: | European Journal of American Studies |
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Online Access: | https://journals.openedition.org/ejas/8751 |
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author | Ian Scott |
author_facet | Ian Scott |
author_sort | Ian Scott |
collection | DOAJ |
description | British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors. |
format | Article |
id | doaj-art-a4dcc12ecbea4925af17c92b499e5fde |
institution | Kabale University |
issn | 1991-9336 |
language | English |
publishDate | 2010-11-01 |
publisher | European Association for American Studies |
record_format | Article |
series | European Journal of American Studies |
spelling | doaj-art-a4dcc12ecbea4925af17c92b499e5fde2025-01-06T09:09:55ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362010-11-015410.4000/ejas.8751“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American CinemaIan ScottBritish visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors.https://journals.openedition.org/ejas/8751Hollywoodthe westernHollywood British FilmsBritish writer-directorssilent filmtrans-nationalism |
spellingShingle | Ian Scott “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema European Journal of American Studies Hollywood the western Hollywood British Films British writer-directors silent film trans-nationalism |
title | “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema |
title_full | “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema |
title_fullStr | “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema |
title_full_unstemmed | “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema |
title_short | “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema |
title_sort | don t be frightened dear this is hollywood british filmmakers in early american cinema |
topic | Hollywood the western Hollywood British Films British writer-directors silent film trans-nationalism |
url | https://journals.openedition.org/ejas/8751 |
work_keys_str_mv | AT ianscott dontbefrighteneddearthisishollywoodbritishfilmmakersinearlyamericancinema |