“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema

British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-di...

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Main Author: Ian Scott
Format: Article
Language:English
Published: European Association for American Studies 2010-11-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/8751
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author Ian Scott
author_facet Ian Scott
author_sort Ian Scott
collection DOAJ
description British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors.
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spelling doaj-art-a4dcc12ecbea4925af17c92b499e5fde2025-01-06T09:09:55ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362010-11-015410.4000/ejas.8751“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American CinemaIan ScottBritish visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors.https://journals.openedition.org/ejas/8751Hollywoodthe westernHollywood British FilmsBritish writer-directorssilent filmtrans-nationalism
spellingShingle Ian Scott
“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
European Journal of American Studies
Hollywood
the western
Hollywood British Films
British writer-directors
silent film
trans-nationalism
title “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
title_full “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
title_fullStr “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
title_full_unstemmed “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
title_short “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema
title_sort don t be frightened dear this is hollywood british filmmakers in early american cinema
topic Hollywood
the western
Hollywood British Films
British writer-directors
silent film
trans-nationalism
url https://journals.openedition.org/ejas/8751
work_keys_str_mv AT ianscott dontbefrighteneddearthisishollywoodbritishfilmmakersinearlyamericancinema