Rejouer l’imprévu ?Le remake documentaire en question
This article examines the possibility of remake in the field of documentary, by studying a set of contemporary urban films born from a desire of remaking classical pieces of the direct cinema movement: Chronicle of a Summer (Rouch et Morin, 1961), September Five at Saint-Henri (Aquin, 1962) and Plac...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-01-01
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| Series: | Mise au Point |
| Online Access: | https://journals.openedition.org/map/2432 |
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| _version_ | 1846130906359660544 |
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| author | Camille Bui |
| author_facet | Camille Bui |
| author_sort | Camille Bui |
| collection | DOAJ |
| description | This article examines the possibility of remake in the field of documentary, by studying a set of contemporary urban films born from a desire of remaking classical pieces of the direct cinema movement: Chronicle of a Summer (Rouch et Morin, 1961), September Five at Saint-Henri (Aquin, 1962) and Place de la République (Malle, 1974). The question “can a documentary be remade?” allows us to rethink the nature and the becoming of direct cinema, as aesthetical object, historical testimony and social experience.The re-activation of a filmic device renders visible the evolution of a society decades apart, as well as it puts in perspective two states of cinema. Documentary remake is thus also always a sequel. On the aesthetical level, this approach stands between imitation and recreation of forms: by repeating the gesture of innovative works of the 1960-1970s, the contemporary “remakes” exist at the risk of betraying the experimental logic of their ancestors. |
| format | Article |
| id | doaj-art-a3f1269a003f4a529ce18b3ae154f5a0 |
| institution | Kabale University |
| issn | 2261-9623 |
| language | English |
| publishDate | 2018-01-01 |
| publisher | Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
| record_format | Article |
| series | Mise au Point |
| spelling | doaj-art-a3f1269a003f4a529ce18b3ae154f5a02024-12-09T15:59:45ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232018-01-011010.4000/map.2432Rejouer l’imprévu ?Le remake documentaire en questionCamille BuiThis article examines the possibility of remake in the field of documentary, by studying a set of contemporary urban films born from a desire of remaking classical pieces of the direct cinema movement: Chronicle of a Summer (Rouch et Morin, 1961), September Five at Saint-Henri (Aquin, 1962) and Place de la République (Malle, 1974). The question “can a documentary be remade?” allows us to rethink the nature and the becoming of direct cinema, as aesthetical object, historical testimony and social experience.The re-activation of a filmic device renders visible the evolution of a society decades apart, as well as it puts in perspective two states of cinema. Documentary remake is thus also always a sequel. On the aesthetical level, this approach stands between imitation and recreation of forms: by repeating the gesture of innovative works of the 1960-1970s, the contemporary “remakes” exist at the risk of betraying the experimental logic of their ancestors.https://journals.openedition.org/map/2432 |
| spellingShingle | Camille Bui Rejouer l’imprévu ?Le remake documentaire en question Mise au Point |
| title | Rejouer l’imprévu ?Le remake documentaire en question |
| title_full | Rejouer l’imprévu ?Le remake documentaire en question |
| title_fullStr | Rejouer l’imprévu ?Le remake documentaire en question |
| title_full_unstemmed | Rejouer l’imprévu ?Le remake documentaire en question |
| title_short | Rejouer l’imprévu ?Le remake documentaire en question |
| title_sort | rejouer l imprevu le remake documentaire en question |
| url | https://journals.openedition.org/map/2432 |
| work_keys_str_mv | AT camillebui rejouerlimprevuleremakedocumentaireenquestion |