Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма

This article describes the attitude of Ukrainian authors of the late 19th and early 20th century (Ivan Franko, Mykola Yevshan, Mykyta Sryblyans’kyi and others) toward the manifestations of tragedy in Russian literature of the 19th century. The primary focus is on Fyodor Dostoevsky’s anthropological...

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Main Author: Halina Korbicz
Format: Article
Language:deu
Published: Adam Mickiewicz University in Poznań 2016-02-01
Series:Studia Rossica Posnaniensia
Online Access:https://pressto.amu.edu.pl/index.php/strp/article/view/4895
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author Halina Korbicz
author_facet Halina Korbicz
author_sort Halina Korbicz
collection DOAJ
description This article describes the attitude of Ukrainian authors of the late 19th and early 20th century (Ivan Franko, Mykola Yevshan, Mykyta Sryblyans’kyi and others) toward the manifestations of tragedy in Russian literature of the 19th century. The primary focus is on Fyodor Dostoevsky’s anthropological discoveries, Nikolai Gogol’s existentialism and Leo Tolstoy’s psychologism. The ideas of these writers were considered conformable to the perception of the fin-de-siècle world with its tragic background and helped Ukrainian writers form their own philosophical and aesthetic views. Russian classics were studied with regard to realistic aesthetics and treated similarly to the classics of antiquity, i.e. as an unchanging value.
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spelling doaj-art-a3ebba72565d4de6bf70ad470e7c4f8e2025-01-03T01:19:07ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842016-02-013910.14746/strp.2014.39.12Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизмаHalina Korbicz0Uniwersytet im. Adama Mickiewicz w Poznaniu, Poznań – PolskaThis article describes the attitude of Ukrainian authors of the late 19th and early 20th century (Ivan Franko, Mykola Yevshan, Mykyta Sryblyans’kyi and others) toward the manifestations of tragedy in Russian literature of the 19th century. The primary focus is on Fyodor Dostoevsky’s anthropological discoveries, Nikolai Gogol’s existentialism and Leo Tolstoy’s psychologism. The ideas of these writers were considered conformable to the perception of the fin-de-siècle world with its tragic background and helped Ukrainian writers form their own philosophical and aesthetic views. Russian classics were studied with regard to realistic aesthetics and treated similarly to the classics of antiquity, i.e. as an unchanging value.https://pressto.amu.edu.pl/index.php/strp/article/view/4895
spellingShingle Halina Korbicz
Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
Studia Rossica Posnaniensia
title Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
title_full Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
title_fullStr Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
title_full_unstemmed Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
title_short Трансформация трагического: русская классика в мировоззренческих концепциях украинского модернизма
title_sort трансформация трагического русская классика в мировоззренческих концепциях украинского модернизма
url https://pressto.amu.edu.pl/index.php/strp/article/view/4895
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