From El to Hell: On Stage in the Urban Underworld
Images of the New York subway and its precursors, the Elevated train and the horse-car, hold a special place in American culture. While the descent into the subway station and the ride along endless miles of subterranean tracks are almost inevitably figured as a journey to the Underworld, the whole...
Saved in:
Main Author: | William Chapman SHARPE |
---|---|
Format: | Article |
Language: | English |
Published: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2010-03-01
|
Series: | E-REA |
Subjects: | |
Online Access: | https://journals.openedition.org/erea/1085 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Distance without Remoteness: The Objectivist Poetics of Nonmimetic Pain
by: Xavier Kalck
Published: (2023-11-01) -
“If You Could Die…”: Hart Crane’s “Accursed Share” in Mexico
by: Beatrice Pire
Published: (2018-06-01) -
The Ongoing French Reception of the Objectivists
by: Abigail Lang
Published: (2017-02-01) -
Black Suns of Melancholy Hart Crane’s Treatment of the Sun Motif in the Light of Mircea Eliade’s Study of Solar Cults
by: Alicja Piechucka
Published: (2013-01-01) -
From Crèvecoeur to Castorland: Translating the French-American Alliance in the Late Federalist Era
by: John A. Gallucci
Published: (2011-04-01)