A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry

As a critical method, persuasion has been the focus of experts' attention since ancient times, but Persian poetry is less criticized from this point of view. One of the outstanding features of ancient poetry in most form, especially the sonnet, is its potential to prove and persuade. In studyin...

Full description

Saved in:
Bibliographic Details
Main Authors: Jalal Abbasi, Mohammad Ahi
Format: Article
Language:fas
Published: Semnan University 2024-11-01
Series:مطالعات زبانی و بلاغی
Subjects:
Online Access:https://rhetorical.semnan.ac.ir/article_9182_32458fb6068921321ee35660aff3bfa4.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1841527917788528640
author Jalal Abbasi
Mohammad Ahi
author_facet Jalal Abbasi
Mohammad Ahi
author_sort Jalal Abbasi
collection DOAJ
description As a critical method, persuasion has been the focus of experts' attention since ancient times, but Persian poetry is less criticized from this point of view. One of the outstanding features of ancient poetry in most form, especially the sonnet, is its potential to prove and persuade. In studying ancient Persian poetry, we find that poets use various rhetorical and non-rhetorical methods to convince the audience to accept or reject an assertion. Among the models of persuasion, the way presented by Aristotle in Rhetoric has received the attention of critics more than other models. Aristotle determined that persuasion comprises a combination of three modes: logos, pathos, and ethos. Logos is the process of logical reasoning, pathos is the result of arousing the audience's feelings, and ethos is the result of the fame of the writer of the work. In this research, we work on logos. The poetic discourse in the Indian style has become somewhat different due to the many relationships of the poets in a new way with the past of Persian poetry. The poets have tried to share new types of poetic, intellectual, cultural, emotional and life experiences with the audience, and this has caused them to create new methods and capacities. The poetry of this era has a positive and persuasive nature. It means that poets have tried to prove many issues and convince the audience in this way. For this reason, they have used many methods and techniques.Using rhetorical techniques with argumentative and allegorical backgrounds is one of these methods. These methods have established a logical-artistic discourse in the poetry of this period. In this research, the authors have attempted to study logos-related persuasive forms of Indian-style sonnet in Sāeb’s poetry, using a descriptive-analytical method. The analysis of logos in this study on Indian-style poetry falls into the two categories of argumentation and referential.  In the first category, the poet attempts to persuade the audience by utilizing allegory, etiology, proverbs, and rhetorical discourses that have a basis in reasoning. The second category, which is based on referential and intertextual relations, allusion and quotation are used more than other persuasive devices.
format Article
id doaj-art-a351156645814122b4ee60eff0e2feee
institution Kabale University
issn 2008-9570
2717-090X
language fas
publishDate 2024-11-01
publisher Semnan University
record_format Article
series مطالعات زبانی و بلاغی
spelling doaj-art-a351156645814122b4ee60eff0e2feee2025-01-15T05:56:48ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2024-11-011538396810.22075/jlrs.2024.31395.23199182A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetryJalal Abbasi0Mohammad Ahi1PhD in Persian Language and Literature, Bu-Ali Sina University of Hamadan, Hamadan, Iran (Corresponding author)Associate Professor of Persian Language and Literature, Bu-Ali Sina University, Hamadan, Iran.As a critical method, persuasion has been the focus of experts' attention since ancient times, but Persian poetry is less criticized from this point of view. One of the outstanding features of ancient poetry in most form, especially the sonnet, is its potential to prove and persuade. In studying ancient Persian poetry, we find that poets use various rhetorical and non-rhetorical methods to convince the audience to accept or reject an assertion. Among the models of persuasion, the way presented by Aristotle in Rhetoric has received the attention of critics more than other models. Aristotle determined that persuasion comprises a combination of three modes: logos, pathos, and ethos. Logos is the process of logical reasoning, pathos is the result of arousing the audience's feelings, and ethos is the result of the fame of the writer of the work. In this research, we work on logos. The poetic discourse in the Indian style has become somewhat different due to the many relationships of the poets in a new way with the past of Persian poetry. The poets have tried to share new types of poetic, intellectual, cultural, emotional and life experiences with the audience, and this has caused them to create new methods and capacities. The poetry of this era has a positive and persuasive nature. It means that poets have tried to prove many issues and convince the audience in this way. For this reason, they have used many methods and techniques.Using rhetorical techniques with argumentative and allegorical backgrounds is one of these methods. These methods have established a logical-artistic discourse in the poetry of this period. In this research, the authors have attempted to study logos-related persuasive forms of Indian-style sonnet in Sāeb’s poetry, using a descriptive-analytical method. The analysis of logos in this study on Indian-style poetry falls into the two categories of argumentation and referential.  In the first category, the poet attempts to persuade the audience by utilizing allegory, etiology, proverbs, and rhetorical discourses that have a basis in reasoning. The second category, which is based on referential and intertextual relations, allusion and quotation are used more than other persuasive devices.https://rhetorical.semnan.ac.ir/article_9182_32458fb6068921321ee35660aff3bfa4.pdfmethods of persuasionlogosaristotleindian stylesāeb
spellingShingle Jalal Abbasi
Mohammad Ahi
A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
مطالعات زبانی و بلاغی
methods of persuasion
logos
aristotle
indian style
sāeb
title A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
title_full A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
title_fullStr A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
title_full_unstemmed A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
title_short A study of persuasive methods in Indian-style sonnets based on Logos theory with an emphasis on Sāeb's poetry
title_sort study of persuasive methods in indian style sonnets based on logos theory with an emphasis on saeb s poetry
topic methods of persuasion
logos
aristotle
indian style
sāeb
url https://rhetorical.semnan.ac.ir/article_9182_32458fb6068921321ee35660aff3bfa4.pdf
work_keys_str_mv AT jalalabbasi astudyofpersuasivemethodsinindianstylesonnetsbasedonlogostheorywithanemphasisonsaebspoetry
AT mohammadahi astudyofpersuasivemethodsinindianstylesonnetsbasedonlogostheorywithanemphasisonsaebspoetry
AT jalalabbasi studyofpersuasivemethodsinindianstylesonnetsbasedonlogostheorywithanemphasisonsaebspoetry
AT mohammadahi studyofpersuasivemethodsinindianstylesonnetsbasedonlogostheorywithanemphasisonsaebspoetry