Les figurines de terre cuite de l’Aphrodision d’Argos

The terracotta figurines of the Aphrodision of Argos comprise a very rich corpus that sheds light on the creation of archaic Argive sculpture. This is especially the case for the type of the “seated female” that has a modeled body with a molded head. The study of these figurines reveals that more th...

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Main Authors: Hélène Aurigny, Francis Croissant
Format: Article
Language:English
Published: ACoSt - Association for Coroplastic Studies 2016-12-01
Series:Les Carnets de l’ACoSt
Subjects:
Online Access:https://journals.openedition.org/acost/953
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author Hélène Aurigny
Francis Croissant
author_facet Hélène Aurigny
Francis Croissant
author_sort Hélène Aurigny
collection DOAJ
description The terracotta figurines of the Aphrodision of Argos comprise a very rich corpus that sheds light on the creation of archaic Argive sculpture. This is especially the case for the type of the “seated female” that has a modeled body with a molded head. The study of these figurines reveals that more than 20 different facial types were developed by Argive craftsmen throughout the course of the 6th century B.C.E. This not only documents the creativity of the Argive workshops, but it also gives rise to the question of their relationship with artisans working in bronze. In any case, the parallel development in the Argive corpus of both techniques of modeling and molding can be observed during the 6th century B.C.E.
format Article
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institution Kabale University
issn 2431-8574
language English
publishDate 2016-12-01
publisher ACoSt - Association for Coroplastic Studies
record_format Article
series Les Carnets de l’ACoSt
spelling doaj-art-a1bd4d01436e4cfa93cfc7331bd836062025-01-09T12:59:59ZengACoSt - Association for Coroplastic StudiesLes Carnets de l’ACoSt2431-85742016-12-011510.4000/acost.953Les figurines de terre cuite de l’Aphrodision d’ArgosHélène AurignyFrancis CroissantThe terracotta figurines of the Aphrodision of Argos comprise a very rich corpus that sheds light on the creation of archaic Argive sculpture. This is especially the case for the type of the “seated female” that has a modeled body with a molded head. The study of these figurines reveals that more than 20 different facial types were developed by Argive craftsmen throughout the course of the 6th century B.C.E. This not only documents the creativity of the Argive workshops, but it also gives rise to the question of their relationship with artisans working in bronze. In any case, the parallel development in the Argive corpus of both techniques of modeling and molding can be observed during the 6th century B.C.E.https://journals.openedition.org/acost/953ArgosArgive terracotta figurinestechniquesmodelingmoldingAphrodision
spellingShingle Hélène Aurigny
Francis Croissant
Les figurines de terre cuite de l’Aphrodision d’Argos
Les Carnets de l’ACoSt
Argos
Argive terracotta figurines
techniques
modeling
molding
Aphrodision
title Les figurines de terre cuite de l’Aphrodision d’Argos
title_full Les figurines de terre cuite de l’Aphrodision d’Argos
title_fullStr Les figurines de terre cuite de l’Aphrodision d’Argos
title_full_unstemmed Les figurines de terre cuite de l’Aphrodision d’Argos
title_short Les figurines de terre cuite de l’Aphrodision d’Argos
title_sort les figurines de terre cuite de l aphrodision d argos
topic Argos
Argive terracotta figurines
techniques
modeling
molding
Aphrodision
url https://journals.openedition.org/acost/953
work_keys_str_mv AT heleneaurigny lesfigurinesdeterrecuitedelaphrodisiondargos
AT franciscroissant lesfigurinesdeterrecuitedelaphrodisiondargos