From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke

Despite human reliance on language as a means of conveying messages and a tool that apparently satisfies major needs, Lacan believed that language is not only insufficient for human being as a subject of desire, but can also cause him/her to stay away from his/her lost purpose and desire. According...

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Main Author: Shirzad Tayefi
Format: Article
Language:fas
Published: University of Kurdistan 2023-07-01
Series:پژوهشنامه ادبیات کردی
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Online Access:https://jokl.uok.ac.ir/article_62766.html?lang=en
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author Shirzad Tayefi
author_facet Shirzad Tayefi
author_sort Shirzad Tayefi
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description Despite human reliance on language as a means of conveying messages and a tool that apparently satisfies major needs, Lacan believed that language is not only insufficient for human being as a subject of desire, but can also cause him/her to stay away from his/her lost purpose and desire. According to Lacan, language is the realm of the unconscious. Hence, it satisfies not the demand of the ego but the desire of The Other; Therefore, for its reproduction, it must rely on two constructive elements, "lack" and "excess", in order to remain stable. In this research, through qualitative and quantitative analysis and a Lacanian psychoanalytical reading of the stories Bakhtiar Ali’s Palace of Sad Birds and Mohammad Sohrabi’s The Previous Stroke, the following results are shown: The subject has accepted the lack of a phallus in his presence and has given himself to symbolic castration. This is true for Kamran, Khaled Amon, Mansour Asreen and the narrator of The Previous Stroke. Also, Susan's purpose in sending her suitors to travel and leave the city is to turn them into subjects of desire, For Susan, "the city", "war" and signifiers that referred to it are jouissance and representatives of excess desire. The narrator of The Previous Stroke tries to fill the lack of the other as the lack of speech through swearing. Of course, the lack is never filled in speech because the speech always exceeds his intention. Despite human reliance on language as a means of conveying messages and a tool that apparently satisfies major needs, Lacan believed that language is not only insufficient for human being as a subject of desire, but can also cause him/her to stay away from his/her lost purpose and desire. According to Lacan, language is the realm of the unconscious. Hence, it satisfies not the demand of the ego but the desire of The Other; Therefore, for its reproduction, it must rely on two constructive elements, "lack" and "excess", in order to remain stable. In this research, through qualitative and quantitative analysis and a Lacanian psychoanalytical reading of the stories Bakhtiar Ali’s Palace of Sad Birds and Mohammad Sohrabi’s The Previous Stroke, the following results are shown: The subject has accepted the lack of a phallus in his presence and has given himself to symbolic castration. This is true for Kamran, Khaled Amon, Mansour Asreen and the narrator of The Previous Stroke. Also, Susan's purpose in sending her suitors to travel and leave the city is to turn them into subjects of desire, For Susan, "the city", "war" and signifiers that referred to it are jouissance and representatives of excess desire. The narrator of The Previous Stroke tries to fill the lack of the other as the lack of speech through swearing. Of course, the lack is never filled in speech because the speech always exceeds his intention.
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spelling doaj-art-a1ba385f819e46f7aa7ae01ac9df6faf2024-12-03T14:29:07ZfasUniversity of Kurdistanپژوهشنامه ادبیات کردی2645-36572717-00392023-07-019111610.22034/jokl.2023.62766From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous StrokeShirzad Tayefi0https://orcid.org/0000-0002-2773-3074Associate Professor of Persian Language and Literature, Allameh Tabatabai University, Tehran, IranDespite human reliance on language as a means of conveying messages and a tool that apparently satisfies major needs, Lacan believed that language is not only insufficient for human being as a subject of desire, but can also cause him/her to stay away from his/her lost purpose and desire. According to Lacan, language is the realm of the unconscious. Hence, it satisfies not the demand of the ego but the desire of The Other; Therefore, for its reproduction, it must rely on two constructive elements, "lack" and "excess", in order to remain stable. In this research, through qualitative and quantitative analysis and a Lacanian psychoanalytical reading of the stories Bakhtiar Ali’s Palace of Sad Birds and Mohammad Sohrabi’s The Previous Stroke, the following results are shown: The subject has accepted the lack of a phallus in his presence and has given himself to symbolic castration. This is true for Kamran, Khaled Amon, Mansour Asreen and the narrator of The Previous Stroke. Also, Susan's purpose in sending her suitors to travel and leave the city is to turn them into subjects of desire, For Susan, "the city", "war" and signifiers that referred to it are jouissance and representatives of excess desire. The narrator of The Previous Stroke tries to fill the lack of the other as the lack of speech through swearing. Of course, the lack is never filled in speech because the speech always exceeds his intention. Despite human reliance on language as a means of conveying messages and a tool that apparently satisfies major needs, Lacan believed that language is not only insufficient for human being as a subject of desire, but can also cause him/her to stay away from his/her lost purpose and desire. According to Lacan, language is the realm of the unconscious. Hence, it satisfies not the demand of the ego but the desire of The Other; Therefore, for its reproduction, it must rely on two constructive elements, "lack" and "excess", in order to remain stable. In this research, through qualitative and quantitative analysis and a Lacanian psychoanalytical reading of the stories Bakhtiar Ali’s Palace of Sad Birds and Mohammad Sohrabi’s The Previous Stroke, the following results are shown: The subject has accepted the lack of a phallus in his presence and has given himself to symbolic castration. This is true for Kamran, Khaled Amon, Mansour Asreen and the narrator of The Previous Stroke. Also, Susan's purpose in sending her suitors to travel and leave the city is to turn them into subjects of desire, For Susan, "the city", "war" and signifiers that referred to it are jouissance and representatives of excess desire. The narrator of The Previous Stroke tries to fill the lack of the other as the lack of speech through swearing. Of course, the lack is never filled in speech because the speech always exceeds his intention.https://jokl.uok.ac.ir/article_62766.html?lang=enlacanbakhtiar alimohammad sohrabipalace of sad birdsprevious strokespeech
spellingShingle Shirzad Tayefi
From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
پژوهشنامه ادبیات کردی
lacan
bakhtiar ali
mohammad sohrabi
palace of sad birds
previous stroke
speech
title From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
title_full From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
title_fullStr From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
title_full_unstemmed From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
title_short From Lack to Excess in Words: Lacanian Reading of Palace of Sad Birds and The Previous Stroke
title_sort from lack to excess in words lacanian reading of palace of sad birds and the previous stroke
topic lacan
bakhtiar ali
mohammad sohrabi
palace of sad birds
previous stroke
speech
url https://jokl.uok.ac.ir/article_62766.html?lang=en
work_keys_str_mv AT shirzadtayefi fromlacktoexcessinwordslacanianreadingofpalaceofsadbirdsandthepreviousstroke