Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste

In the second poetic cycle of Artémis chasse à courre le sanglier, le cerf et le loup, Jean Ristat rewrites, in a deeply mythoclastic sense, the tragic metamorphosis of the young and overweening Actaeon. Although within the sphere of the twenty-first century, the text looks, at first, as a retractat...

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Main Author: Linda Maria Baros
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2013-05-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/8490
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author Linda Maria Baros
author_facet Linda Maria Baros
author_sort Linda Maria Baros
collection DOAJ
description In the second poetic cycle of Artémis chasse à courre le sanglier, le cerf et le loup, Jean Ristat rewrites, in a deeply mythoclastic sense, the tragic metamorphosis of the young and overweening Actaeon. Although within the sphere of the twenty-first century, the text looks, at first, as a retractatio of the Ovidian story, livened up with many subtle references to Homer, Euripides and Callimachus. Tradition and remotivation thus unite, not only to provoke an extended reinterpretation of the stakes of the transformational process, which applies here as much to Actaeon, who turns into a stag, as to Artemis, who undergoes a psychological degradation, but also to make out of this actualized myth the receptacle of a self-referential text metamorphosis.
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publisher Association Portugaise d'Etudes Françaises
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series Carnets
spelling doaj-art-9f56f4bde9fb4099867ece980156591e2024-12-09T13:42:18ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982013-05-01519321710.4000/carnets.8490Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclasteLinda Maria BarosIn the second poetic cycle of Artémis chasse à courre le sanglier, le cerf et le loup, Jean Ristat rewrites, in a deeply mythoclastic sense, the tragic metamorphosis of the young and overweening Actaeon. Although within the sphere of the twenty-first century, the text looks, at first, as a retractatio of the Ovidian story, livened up with many subtle references to Homer, Euripides and Callimachus. Tradition and remotivation thus unite, not only to provoke an extended reinterpretation of the stakes of the transformational process, which applies here as much to Actaeon, who turns into a stag, as to Artemis, who undergoes a psychological degradation, but also to make out of this actualized myth the receptacle of a self-referential text metamorphosis.https://journals.openedition.org/carnets/8490MythMetamorphosisMythoclastic glanceRemotivationMetapoetic dimension
spellingShingle Linda Maria Baros
Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
Carnets
Myth
Metamorphosis
Mythoclastic glance
Remotivation
Metapoetic dimension
title Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
title_full Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
title_fullStr Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
title_full_unstemmed Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
title_short Les métamorphoses à l’œuvre: De la tradition à la scopophilie mythoclaste
title_sort les metamorphoses a l oeuvre de la tradition a la scopophilie mythoclaste
topic Myth
Metamorphosis
Mythoclastic glance
Remotivation
Metapoetic dimension
url https://journals.openedition.org/carnets/8490
work_keys_str_mv AT lindamariabaros lesmetamorphosesalœuvredelatraditionalascopophiliemythoclaste