Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”

Taking my cue from Hans Blumenberg’s notion of the “work on myth,” according to which myth is always in the process of revision, this article explores Alcott’s reconfiguration of the Psyche and Pygmalion myths in her novella “A Marble Woman” in conjunction with the nineteenth-century context of wome...

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Main Author: Michaela Keck
Format: Article
Language:English
Published: European Association for American Studies 2022-10-01
Series:European Journal of American Studies
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Online Access:https://journals.openedition.org/ejas/18739
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author Michaela Keck
author_facet Michaela Keck
author_sort Michaela Keck
collection DOAJ
description Taking my cue from Hans Blumenberg’s notion of the “work on myth,” according to which myth is always in the process of revision, this article explores Alcott’s reconfiguration of the Psyche and Pygmalion myths in her novella “A Marble Woman” in conjunction with the nineteenth-century context of women’s quest for self-possession in marriage. Alcott rewrites Psyche’s curious gaze at the sleeping Amor as the heroine’s, i.e., Cecil’s, self-possessed rescue of her legal guardian and later husband and Pygmalion’s animation of his Galatea as Cecil’s superb imitation of wifely adoration. However, Cecil’s quest for self-possession in marriage is not successful until Yorke acknowledges her beauty in body and mind.
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spelling doaj-art-9f417be643994348bb9f8fb1ea8b03e82025-01-06T09:08:29ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362022-10-0117310.4000/ejas.18739Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”Michaela KeckTaking my cue from Hans Blumenberg’s notion of the “work on myth,” according to which myth is always in the process of revision, this article explores Alcott’s reconfiguration of the Psyche and Pygmalion myths in her novella “A Marble Woman” in conjunction with the nineteenth-century context of women’s quest for self-possession in marriage. Alcott rewrites Psyche’s curious gaze at the sleeping Amor as the heroine’s, i.e., Cecil’s, self-possessed rescue of her legal guardian and later husband and Pygmalion’s animation of his Galatea as Cecil’s superb imitation of wifely adoration. However, Cecil’s quest for self-possession in marriage is not successful until Yorke acknowledges her beauty in body and mind.https://journals.openedition.org/ejas/18739Louisa May Alcott; nineteenth-century women’s fiction; classical myth; Amor and Psyche; Pygmalion
spellingShingle Michaela Keck
Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
European Journal of American Studies
Louisa May Alcott; nineteenth-century women’s fiction; classical myth; Amor and Psyche; Pygmalion
title Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
title_full Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
title_fullStr Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
title_full_unstemmed Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
title_short Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman”
title_sort psyche and pygmalion the heart s desires revised in louisa may alcott s a marble woman
topic Louisa May Alcott; nineteenth-century women’s fiction; classical myth; Amor and Psyche; Pygmalion
url https://journals.openedition.org/ejas/18739
work_keys_str_mv AT michaelakeck psycheandpygmaliontheheartsdesiresrevisedinlouisamayalcottsamarblewoman