Les avant-gardes et la narration

The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 1...

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Main Author: Tania Collani
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2013-09-01
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/6661
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author Tania Collani
author_facet Tania Collani
author_sort Tania Collani
collection DOAJ
description The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 19th century. Nonetheless, these same avant-garde authors wrote several novels. This is not only another paradox of modernity, but rather a stance on the part of such writers which needs to be investigated. The paper offers a view of the formal constraints which inspired avant-gardes’ prosaic production, as well as an analysis of a corpus of texts in prose often neglected because of their “hermetism”, which brings them nearer to poetry than to novel.
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institution Kabale University
issn 0993-8516
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language fra
publishDate 2013-09-01
publisher Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
record_format Article
series Cahiers de Narratologie
spelling doaj-art-9f17c6f41dc0400c86c4b9c1306e83f62024-12-09T13:16:05ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2013-09-012410.4000/narratologie.6661Les avant-gardes et la narrationTania CollaniThe European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 19th century. Nonetheless, these same avant-garde authors wrote several novels. This is not only another paradox of modernity, but rather a stance on the part of such writers which needs to be investigated. The paper offers a view of the formal constraints which inspired avant-gardes’ prosaic production, as well as an analysis of a corpus of texts in prose often neglected because of their “hermetism”, which brings them nearer to poetry than to novel.https://journals.openedition.org/narratologie/6661poétiqueavant-gardesurréalismefuturismedadaïsmeprosaïsme
spellingShingle Tania Collani
Les avant-gardes et la narration
Cahiers de Narratologie
poétique
avant-garde
surréalisme
futurisme
dadaïsme
prosaïsme
title Les avant-gardes et la narration
title_full Les avant-gardes et la narration
title_fullStr Les avant-gardes et la narration
title_full_unstemmed Les avant-gardes et la narration
title_short Les avant-gardes et la narration
title_sort les avant gardes et la narration
topic poétique
avant-garde
surréalisme
futurisme
dadaïsme
prosaïsme
url https://journals.openedition.org/narratologie/6661
work_keys_str_mv AT taniacollani lesavantgardesetlanarration