Les avant-gardes et la narration
The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 1...
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Format: | Article |
Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2013-09-01
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Series: | Cahiers de Narratologie |
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Online Access: | https://journals.openedition.org/narratologie/6661 |
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author | Tania Collani |
author_facet | Tania Collani |
author_sort | Tania Collani |
collection | DOAJ |
description | The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 19th century. Nonetheless, these same avant-garde authors wrote several novels. This is not only another paradox of modernity, but rather a stance on the part of such writers which needs to be investigated. The paper offers a view of the formal constraints which inspired avant-gardes’ prosaic production, as well as an analysis of a corpus of texts in prose often neglected because of their “hermetism”, which brings them nearer to poetry than to novel. |
format | Article |
id | doaj-art-9f17c6f41dc0400c86c4b9c1306e83f6 |
institution | Kabale University |
issn | 0993-8516 1765-307X |
language | fra |
publishDate | 2013-09-01 |
publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
record_format | Article |
series | Cahiers de Narratologie |
spelling | doaj-art-9f17c6f41dc0400c86c4b9c1306e83f62024-12-09T13:16:05ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2013-09-012410.4000/narratologie.6661Les avant-gardes et la narrationTania CollaniThe European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 19th century. Nonetheless, these same avant-garde authors wrote several novels. This is not only another paradox of modernity, but rather a stance on the part of such writers which needs to be investigated. The paper offers a view of the formal constraints which inspired avant-gardes’ prosaic production, as well as an analysis of a corpus of texts in prose often neglected because of their “hermetism”, which brings them nearer to poetry than to novel.https://journals.openedition.org/narratologie/6661poétiqueavant-gardesurréalismefuturismedadaïsmeprosaïsme |
spellingShingle | Tania Collani Les avant-gardes et la narration Cahiers de Narratologie poétique avant-garde surréalisme futurisme dadaïsme prosaïsme |
title | Les avant-gardes et la narration |
title_full | Les avant-gardes et la narration |
title_fullStr | Les avant-gardes et la narration |
title_full_unstemmed | Les avant-gardes et la narration |
title_short | Les avant-gardes et la narration |
title_sort | les avant gardes et la narration |
topic | poétique avant-garde surréalisme futurisme dadaïsme prosaïsme |
url | https://journals.openedition.org/narratologie/6661 |
work_keys_str_mv | AT taniacollani lesavantgardesetlanarration |