“Facing the Monolith:” Virginia Woolf, Modernism and Impersonality

This paper aims at investigating Virginia Woolf’s stance on impersonality in literature in relation to the famous “continual extinction of personality” expressed by T. S. Eliot in “Tradition and the Individual Talent.” His reaction against the romantic stereotype of the hypertrophic self was not an...

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Main Author: Paolo BUGLIANI
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2018-06-01
Series:E-REA
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Online Access:https://journals.openedition.org/erea/6232
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author Paolo BUGLIANI
author_facet Paolo BUGLIANI
author_sort Paolo BUGLIANI
collection DOAJ
description This paper aims at investigating Virginia Woolf’s stance on impersonality in literature in relation to the famous “continual extinction of personality” expressed by T. S. Eliot in “Tradition and the Individual Talent.” His reaction against the romantic stereotype of the hypertrophic self was not an entire novelty: the need for an eclipse of the authorial agency on the literary text had already been voiced by Gustave Flaubert, and, perhaps more paradoxically, by John Keats. Woolf’s position in this literary dispute is significant, since she rather openly refused to endorse Eliot’s authorial ostracism, proposing an alternative which followed the principle of “saturation,” implying a bulimic inclusion, rather than a careful selection.This paper shows that it was in her nonfiction that Woolf first articulated a critical reaction to impersonality, developing the concept of “presence,” which lies at the core of her essayistic ideal, in “The Modern Essay.” In addition to that, the statement of a much needed authorial aura in the literary text underlies Woolf’s overwhelming urge for life writing, both in fiction and nonfiction. The genesis of this idea, rooted in ancient Greek literature and most importantly in Montaigne’s essayistic self-portraiture, firmly positions Woolf among the Western expressivist cultural tradition.
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spelling doaj-art-9cecb1bcd8464716be94b2d9701376ed2025-01-09T12:52:47ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182018-06-0115210.4000/erea.6232“Facing the Monolith:” Virginia Woolf, Modernism and ImpersonalityPaolo BUGLIANIThis paper aims at investigating Virginia Woolf’s stance on impersonality in literature in relation to the famous “continual extinction of personality” expressed by T. S. Eliot in “Tradition and the Individual Talent.” His reaction against the romantic stereotype of the hypertrophic self was not an entire novelty: the need for an eclipse of the authorial agency on the literary text had already been voiced by Gustave Flaubert, and, perhaps more paradoxically, by John Keats. Woolf’s position in this literary dispute is significant, since she rather openly refused to endorse Eliot’s authorial ostracism, proposing an alternative which followed the principle of “saturation,” implying a bulimic inclusion, rather than a careful selection.This paper shows that it was in her nonfiction that Woolf first articulated a critical reaction to impersonality, developing the concept of “presence,” which lies at the core of her essayistic ideal, in “The Modern Essay.” In addition to that, the statement of a much needed authorial aura in the literary text underlies Woolf’s overwhelming urge for life writing, both in fiction and nonfiction. The genesis of this idea, rooted in ancient Greek literature and most importantly in Montaigne’s essayistic self-portraiture, firmly positions Woolf among the Western expressivist cultural tradition.https://journals.openedition.org/erea/6232modernismWoolfKeatsMontaigneimpersonalityessays
spellingShingle Paolo BUGLIANI
“Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
E-REA
modernism
Woolf
Keats
Montaigne
impersonality
essays
title “Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
title_full “Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
title_fullStr “Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
title_full_unstemmed “Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
title_short “Facing the Monolith:” Virginia Woolf, Modernism and Impersonality
title_sort facing the monolith virginia woolf modernism and impersonality
topic modernism
Woolf
Keats
Montaigne
impersonality
essays
url https://journals.openedition.org/erea/6232
work_keys_str_mv AT paolobugliani facingthemonolithvirginiawoolfmodernismandimpersonality