Un cinéma affranchi du contrôle de l’État
The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation p...
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| Format: | Article |
| Language: | English |
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Université de Provence
2018-10-01
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| Series: | Revue des Mondes Musulmans et de la Méditerranée |
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| Online Access: | https://journals.openedition.org/remmm/9752 |
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| _version_ | 1841552176211558400 |
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| author | Nicolas Appelt |
| author_facet | Nicolas Appelt |
| author_sort | Nicolas Appelt |
| collection | DOAJ |
| description | The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation persists outside the official production channels of the regime and despite difficulties. This cinematic creation brings a singular insight, in contrast to the image usually conveyed on Syria ; and this in various and diverse formats. Beyond the simple testimony and independently of their career path, Syrian director filmmakers give their perspective in the comprehension of the changing situation in the country, engaged, at the same time, in a reflection on cinema. The diversity of approaches shapes a fragmented, national narrative. |
| format | Article |
| id | doaj-art-9b456b030ce64a079bb0227b1ab49864 |
| institution | Kabale University |
| issn | 0997-1327 2105-2271 |
| language | English |
| publishDate | 2018-10-01 |
| publisher | Université de Provence |
| record_format | Article |
| series | Revue des Mondes Musulmans et de la Méditerranée |
| spelling | doaj-art-9b456b030ce64a079bb0227b1ab498642025-01-09T13:21:45ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712018-10-01143Vol 143, Seconde partie10.4000/remmm.9752Un cinéma affranchi du contrôle de l’ÉtatNicolas AppeltThe Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation persists outside the official production channels of the regime and despite difficulties. This cinematic creation brings a singular insight, in contrast to the image usually conveyed on Syria ; and this in various and diverse formats. Beyond the simple testimony and independently of their career path, Syrian director filmmakers give their perspective in the comprehension of the changing situation in the country, engaged, at the same time, in a reflection on cinema. The diversity of approaches shapes a fragmented, national narrative.https://journals.openedition.org/remmm/9752Syriaimagesfilm creationMarch 2011revolt |
| spellingShingle | Nicolas Appelt Un cinéma affranchi du contrôle de l’État Revue des Mondes Musulmans et de la Méditerranée Syria images film creation March 2011 revolt |
| title | Un cinéma affranchi du contrôle de l’État |
| title_full | Un cinéma affranchi du contrôle de l’État |
| title_fullStr | Un cinéma affranchi du contrôle de l’État |
| title_full_unstemmed | Un cinéma affranchi du contrôle de l’État |
| title_short | Un cinéma affranchi du contrôle de l’État |
| title_sort | un cinema affranchi du controle de l etat |
| topic | Syria images film creation March 2011 revolt |
| url | https://journals.openedition.org/remmm/9752 |
| work_keys_str_mv | AT nicolasappelt uncinemaaffranchiducontroledeletat |