Painted Gallo-Roman Figurines in Vendeuil-Caply
In 2013, an archaelogical team exploring the site of Vendeuil-Caply in northern France brought to light a new corpus of Gallo-Roman terracotta figurines. The particular importance of this corpus lies in the preservation of pigments that decorated the surface of these figurines. From the 19th century...
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| Format: | Article |
| Language: | English |
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ACoSt - Association for Coroplastic Studies
2015-08-01
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| Series: | Les Carnets de l’ACoSt |
| Online Access: | https://journals.openedition.org/acost/727 |
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| author | Adrien Bossard |
| author_facet | Adrien Bossard |
| author_sort | Adrien Bossard |
| collection | DOAJ |
| description | In 2013, an archaelogical team exploring the site of Vendeuil-Caply in northern France brought to light a new corpus of Gallo-Roman terracotta figurines. The particular importance of this corpus lies in the preservation of pigments that decorated the surface of these figurines. From the 19th century onwards, the generic term that has been used to refer to this kind of Gallo-Roman production has been “white-clay,” most often associated with the Allier region of central France. This term arose from the stark, white color of the fabric. Consequently, archaeologists were quite surprised to find not only color on the figurines, but also repetitive patterns, such as feathers, or details of clothing. |
| format | Article |
| id | doaj-art-9b117b7b71cb45c7b0ff84ecca732a09 |
| institution | Kabale University |
| issn | 2431-8574 |
| language | English |
| publishDate | 2015-08-01 |
| publisher | ACoSt - Association for Coroplastic Studies |
| record_format | Article |
| series | Les Carnets de l’ACoSt |
| spelling | doaj-art-9b117b7b71cb45c7b0ff84ecca732a092025-01-09T12:59:38ZengACoSt - Association for Coroplastic StudiesLes Carnets de l’ACoSt2431-85742015-08-011310.4000/acost.727Painted Gallo-Roman Figurines in Vendeuil-CaplyAdrien BossardIn 2013, an archaelogical team exploring the site of Vendeuil-Caply in northern France brought to light a new corpus of Gallo-Roman terracotta figurines. The particular importance of this corpus lies in the preservation of pigments that decorated the surface of these figurines. From the 19th century onwards, the generic term that has been used to refer to this kind of Gallo-Roman production has been “white-clay,” most often associated with the Allier region of central France. This term arose from the stark, white color of the fabric. Consequently, archaeologists were quite surprised to find not only color on the figurines, but also repetitive patterns, such as feathers, or details of clothing.https://journals.openedition.org/acost/727 |
| spellingShingle | Adrien Bossard Painted Gallo-Roman Figurines in Vendeuil-Caply Les Carnets de l’ACoSt |
| title | Painted Gallo-Roman Figurines in Vendeuil-Caply |
| title_full | Painted Gallo-Roman Figurines in Vendeuil-Caply |
| title_fullStr | Painted Gallo-Roman Figurines in Vendeuil-Caply |
| title_full_unstemmed | Painted Gallo-Roman Figurines in Vendeuil-Caply |
| title_short | Painted Gallo-Roman Figurines in Vendeuil-Caply |
| title_sort | painted gallo roman figurines in vendeuil caply |
| url | https://journals.openedition.org/acost/727 |
| work_keys_str_mv | AT adrienbossard paintedgalloromanfigurinesinvendeuilcaply |