Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu

Wandiu-diu is a folktale from the Wolio community in Southeast Sulawesi, Indonesia, that depicts a family with two children, where the husband is a fisherman and the wife is a housewife. The husband’s role is crucial, as his occupation and actions contribute to the construction of gender roles and p...

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Main Authors: Ramis Rauf, Muhammad Fadli Muslimin, Afriani Ulya, Lucia Arter Lintang Gritantin
Format: Article
Language:English
Published: Universitas Syiah Kuala 2025-02-01
Series:Studies in English Language and Education
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Online Access:https://jurnal.usk.ac.id/SiELE/article/view/38267
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author Ramis Rauf
Muhammad Fadli Muslimin
Afriani Ulya
Lucia Arter Lintang Gritantin
author_facet Ramis Rauf
Muhammad Fadli Muslimin
Afriani Ulya
Lucia Arter Lintang Gritantin
author_sort Ramis Rauf
collection DOAJ
description Wandiu-diu is a folktale from the Wolio community in Southeast Sulawesi, Indonesia, that depicts a family with two children, where the husband is a fisherman and the wife is a housewife. The husband’s role is crucial, as his occupation and actions contribute to the construction of gender roles and power. This article argues that this folktale serves as a mechanism of control over women’s bodies, underpinning patriarchal structures through three roles: married women, mothers, and independent women. Using Simone de Beauvoir’s gender framework, this study categorizes the data into these three roles and analyzes relevant narratives from the tale. Beauvoir’s gender theory critiques the “Othering” of women, highlighting their historical subordination to men in social, cultural, and political spheres. The findings reveal that Wandiu-diu’s transformation into a mermaid symbolizes patriarchal control over women’s bodies. Marriage binds women to their husbands, motherhood renders them vulnerable through self-sacrifice, and seeking independence makes them objects of societal ridicule. The mermaid figure, rather than signifying freedom, eventually represents patriarchal constraints. Hence, the linguistic choices in Wandiu-diu reinforce patriarchal power, shaping portrayals of women’s roles and struggles. Through lexical selection, narrative structure, and dialogue, the tale depicts women as subordinate, their autonomy met with resistance and punishment. Male speech, marked by imperative verbs and possessive pronouns, asserts dominance, while the mother’s indirect speech reflects constrained autonomy. While appearing to symbolize female liberation, the tale eventually fortifies patriarchal oppression in the Wolio community of Southeast Sulawesi.
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spelling doaj-art-9b037358622b44f7983c0d6d5d91c86c2025-08-20T03:30:53ZengUniversitas Syiah KualaStudies in English Language and Education2355-27942461-02752025-02-0112152153410.24815/siele.v12i1.3826719947Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-DiuRamis Rauf0Muhammad Fadli Muslimin1Afriani Ulya2Lucia Arter Lintang Gritantin3Universitas KhairunInstitut Seni Budaya Indonesia AcehUniversitas Halu OleoUniversitas KhairunWandiu-diu is a folktale from the Wolio community in Southeast Sulawesi, Indonesia, that depicts a family with two children, where the husband is a fisherman and the wife is a housewife. The husband’s role is crucial, as his occupation and actions contribute to the construction of gender roles and power. This article argues that this folktale serves as a mechanism of control over women’s bodies, underpinning patriarchal structures through three roles: married women, mothers, and independent women. Using Simone de Beauvoir’s gender framework, this study categorizes the data into these three roles and analyzes relevant narratives from the tale. Beauvoir’s gender theory critiques the “Othering” of women, highlighting their historical subordination to men in social, cultural, and political spheres. The findings reveal that Wandiu-diu’s transformation into a mermaid symbolizes patriarchal control over women’s bodies. Marriage binds women to their husbands, motherhood renders them vulnerable through self-sacrifice, and seeking independence makes them objects of societal ridicule. The mermaid figure, rather than signifying freedom, eventually represents patriarchal constraints. Hence, the linguistic choices in Wandiu-diu reinforce patriarchal power, shaping portrayals of women’s roles and struggles. Through lexical selection, narrative structure, and dialogue, the tale depicts women as subordinate, their autonomy met with resistance and punishment. Male speech, marked by imperative verbs and possessive pronouns, asserts dominance, while the mother’s indirect speech reflects constrained autonomy. While appearing to symbolize female liberation, the tale eventually fortifies patriarchal oppression in the Wolio community of Southeast Sulawesi.https://jurnal.usk.ac.id/SiELE/article/view/38267folkloregenderinequalitypatriarchywomen
spellingShingle Ramis Rauf
Muhammad Fadli Muslimin
Afriani Ulya
Lucia Arter Lintang Gritantin
Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
Studies in English Language and Education
folklore
gender
inequality
patriarchy
women
title Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
title_full Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
title_fullStr Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
title_full_unstemmed Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
title_short Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu
title_sort discourse on gender a linguistic analysis of body autonomy and patriarchal narratives in wa ndiu diu
topic folklore
gender
inequality
patriarchy
women
url https://jurnal.usk.ac.id/SiELE/article/view/38267
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