Undermining the Everyday: Daphne Du Maurier’s Gothic Horror

Daphne Du Maurier’s Gothic horror destabilises the ordinary, the familiar everyday, revealing seemingly safe relationship and places to be undependable, even dangerous. Simultaneously, she disturbs the complacencies of familiar worldviews and the narratives with which we direct and understand our li...

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Main Author: Gina Wisker
Format: Article
Language:English
Published: Presses universitaires de Rennes 2021-11-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/13590
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author Gina Wisker
author_facet Gina Wisker
author_sort Gina Wisker
collection DOAJ
description Daphne Du Maurier’s Gothic horror destabilises the ordinary, the familiar everyday, revealing seemingly safe relationship and places to be undependable, even dangerous. Simultaneously, she disturbs the complacencies of familiar worldviews and the narratives with which we direct and understand our lives, including those of family, security, identity, order and romance. In Rebecca, “Ganymede”, “East Wind” and “The Birds”, she builds on Freud’s theory of the uncanny and the questioning of constructed reality offered by existentialism to undermine securities, upset self-deceptive internal narratives, inverting the familiar and unfamiliar in liminal places and spaces whether a grand house, exposed coast or a touristic version of Venice. Everyday anxieties flower into destructive realities as loved ones, idealised or homely places and creatures are no longer trustworthy and dependable, and indeed, it is revealed, they never were. As instability and the unknowable disturb complacencies and certainties in these narratives, Du Maurier overwrites the Gothic romance of popular fiction, replacing it with Gothic horror.
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spelling doaj-art-98fc4f487c55450ca159ec563c78d5592025-01-06T09:03:02ZengPresses universitaires de RennesRevue LISA1762-61532021-11-011910.4000/lisa.13590Undermining the Everyday: Daphne Du Maurier’s Gothic HorrorGina WiskerDaphne Du Maurier’s Gothic horror destabilises the ordinary, the familiar everyday, revealing seemingly safe relationship and places to be undependable, even dangerous. Simultaneously, she disturbs the complacencies of familiar worldviews and the narratives with which we direct and understand our lives, including those of family, security, identity, order and romance. In Rebecca, “Ganymede”, “East Wind” and “The Birds”, she builds on Freud’s theory of the uncanny and the questioning of constructed reality offered by existentialism to undermine securities, upset self-deceptive internal narratives, inverting the familiar and unfamiliar in liminal places and spaces whether a grand house, exposed coast or a touristic version of Venice. Everyday anxieties flower into destructive realities as loved ones, idealised or homely places and creatures are no longer trustworthy and dependable, and indeed, it is revealed, they never were. As instability and the unknowable disturb complacencies and certainties in these narratives, Du Maurier overwrites the Gothic romance of popular fiction, replacing it with Gothic horror.https://journals.openedition.org/lisa/13590du Maurier DaphneGothic horroreverydaycomplacencydestabilisinguncanny
spellingShingle Gina Wisker
Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
Revue LISA
du Maurier Daphne
Gothic horror
everyday
complacency
destabilising
uncanny
title Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
title_full Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
title_fullStr Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
title_full_unstemmed Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
title_short Undermining the Everyday: Daphne Du Maurier’s Gothic Horror
title_sort undermining the everyday daphne du maurier s gothic horror
topic du Maurier Daphne
Gothic horror
everyday
complacency
destabilising
uncanny
url https://journals.openedition.org/lisa/13590
work_keys_str_mv AT ginawisker underminingtheeverydaydaphnedumauriersgothichorror