Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel
In Cyril Tourneur’s Laugh and Lie Down or The World’s Folly and The Transformed Metamorphosis the scene is set in enclosed claustrophobic spaces, frightening replicas of hell and purgatory in which shadows occupy the whole locus. The camera-obscura-like microcosms, respectively given as ‘the world’s...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2008-03-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/405 |
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| author | Danièle Berton-Charrière |
| author_facet | Danièle Berton-Charrière |
| author_sort | Danièle Berton-Charrière |
| collection | DOAJ |
| description | In Cyril Tourneur’s Laugh and Lie Down or The World’s Folly and The Transformed Metamorphosis the scene is set in enclosed claustrophobic spaces, frightening replicas of hell and purgatory in which shadows occupy the whole locus. The camera-obscura-like microcosms, respectively given as ‘the world’s folly’ and a ‘concavitie’, can be seen as specific theatrical places devoted to entertainment and revelling, including fantasmagory. It was then fashionable to stage the spectacular in garden grottoes and follies. The evolution of mechanical devices amplified the performances in which the audience took an active part. The pamphlet and poem by Tourneur render the ‘texts in contexts’ relationship as if particular images of the period were cast and traced on their sheets through the magnifying glass of a politically involved and committed author. Deictic and Didascalia punctuate the virtual and/or real journey, onstage, offstage and backstage. |
| format | Article |
| id | doaj-art-98e2f0952d854618a1c339ede0cc3c16 |
| institution | Kabale University |
| issn | 1762-6153 |
| language | English |
| publishDate | 2008-03-01 |
| publisher | Presses universitaires de Rennes |
| record_format | Article |
| series | Revue LISA |
| spelling | doaj-art-98e2f0952d854618a1c339ede0cc3c162025-01-06T09:01:57ZengPresses universitaires de RennesRevue LISA1762-61532008-03-016326227810.4000/lisa.405Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuelDanièle Berton-CharrièreIn Cyril Tourneur’s Laugh and Lie Down or The World’s Folly and The Transformed Metamorphosis the scene is set in enclosed claustrophobic spaces, frightening replicas of hell and purgatory in which shadows occupy the whole locus. The camera-obscura-like microcosms, respectively given as ‘the world’s folly’ and a ‘concavitie’, can be seen as specific theatrical places devoted to entertainment and revelling, including fantasmagory. It was then fashionable to stage the spectacular in garden grottoes and follies. The evolution of mechanical devices amplified the performances in which the audience took an active part. The pamphlet and poem by Tourneur render the ‘texts in contexts’ relationship as if particular images of the period were cast and traced on their sheets through the magnifying glass of a politically involved and committed author. Deictic and Didascalia punctuate the virtual and/or real journey, onstage, offstage and backstage.https://journals.openedition.org/lisa/405 |
| spellingShingle | Danièle Berton-Charrière Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel Revue LISA |
| title | Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel |
| title_full | Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel |
| title_fullStr | Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel |
| title_full_unstemmed | Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel |
| title_short | Cyril Tourneur : déictique et/ou didascalie, écriture d’un décor virtuel |
| title_sort | cyril tourneur deictique et ou didascalie ecriture d un decor virtuel |
| url | https://journals.openedition.org/lisa/405 |
| work_keys_str_mv | AT danielebertoncharriere cyriltourneurdeictiqueetoudidascalieecrituredundecorvirtuel |