Les Europeras de John Cage : de l’opéra au cirque
This article addresses John Cage’s ambiguous relationship with theatre throughout his career. Influenced early by Artaud and Stein, he often referred to theatre and understood his own art project as a reflection on theatricality and performance. The Europeras, written late in his career, testify to...
Saved in:
Main Author: | Antonia Rigaud |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2015-04-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/3988 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“L’OPERA SERIA” ET SES RÉFORMES
by: Diana TODEA
Published: (2014-06-01) -
L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène
by: Frank Langlois
Published: (2014-10-01) -
L’opéra, miroir des sociétés européennes
by: Clémence Schupp
Published: (2016-06-01) -
John Piper et Benjamin Britten : le renouveau de l’opéra anglais et ses décors
by: Sophie Aymès
Published: (2006-06-01) -
Prisonniers et prisons sur la scène de l’Opéra-Comique (1789-1801)
by: Maxime Margollé
Published: (2014-09-01)