“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction

The following article deals with the representation of Hollywood as a dystopian place, for women in particular, where glamour is a utopian façade for both literal and figurative corruption, where the lifespan of an actress is severely limited and the process of discarding “useless” artists is syste...

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Main Author: Tomasz Fisiak
Format: Article
Language:English
Published: Łódzkie Towarzystwo Naukowe 2020-09-01
Series:Zagadnienia Rodzajów Literackich
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Online Access:https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/972
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author Tomasz Fisiak
author_facet Tomasz Fisiak
author_sort Tomasz Fisiak
collection DOAJ
description The following article deals with the representation of Hollywood as a dystopian place, for women in particular, where glamour is a utopian façade for both literal and figurative corruption, where the lifespan of an actress is severely limited and the process of discarding “useless” artists is systemically implemented. My main point of reference will be Donald Wolfe’s 1970 Savage Intruder, one of the lesser known hag horrors. Moreover, I will allude to other films exploring a similar motif, not to mention Angela Carter’s 1977 novel entitled The Passion of New Eve, which also analyzes the falseness of Hollywood and its capacity for dystopia.
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institution Kabale University
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language English
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publisher Łódzkie Towarzystwo Naukowe
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series Zagadnienia Rodzajów Literackich
spelling doaj-art-96b71b29ee9e43f1abbf69c48e41a51f2024-11-20T13:00:32ZengŁódzkie Towarzystwo NaukoweZagadnienia Rodzajów Literackich0084-44462451-03352020-09-0163110.26485/ZRL/2020/63.1/9“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and FictionTomasz Fisiak0https://orcid.org/0000-0002-5514-1287Department of Canadian, Intermedial and Postcolonial Studies, Institute of English Studies,University of Łódź, Poland The following article deals with the representation of Hollywood as a dystopian place, for women in particular, where glamour is a utopian façade for both literal and figurative corruption, where the lifespan of an actress is severely limited and the process of discarding “useless” artists is systemically implemented. My main point of reference will be Donald Wolfe’s 1970 Savage Intruder, one of the lesser known hag horrors. Moreover, I will allude to other films exploring a similar motif, not to mention Angela Carter’s 1977 novel entitled The Passion of New Eve, which also analyzes the falseness of Hollywood and its capacity for dystopia. https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/972Grande Dame Guignol, Gothic fiction, Savage Intruder, Hollywood, dystopia
spellingShingle Tomasz Fisiak
“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
Zagadnienia Rodzajów Literackich
Grande Dame Guignol, Gothic fiction, Savage Intruder, Hollywood, dystopia
title “Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
title_full “Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
title_fullStr “Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
title_full_unstemmed “Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
title_short “Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
title_sort hollywood is no place for idealists hollywood as dystopia in cinema and fiction
topic Grande Dame Guignol, Gothic fiction, Savage Intruder, Hollywood, dystopia
url https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/972
work_keys_str_mv AT tomaszfisiak hollywoodisnoplaceforidealistshollywoodasdystopiaincinemaandfiction