German Poetry in Musical Motion
The musical era of Romanticism leaped forward from the individuality of Beethoven and developed composers that were unafraid of expressing their passions through their music. The leading figures of Romanticism, like Schubert and Liszt, no longer saw themselves as servants of their audiences but inst...
Saved in:
Main Author: | Caden J. Lantz |
---|---|
Format: | Article |
Language: | English |
Published: |
Department of Music and Worship
2024-01-01
|
Series: | Musical Offerings |
Subjects: | |
Online Access: | https://digitalcommons.cedarville.edu/musicalofferings/vol15/iss2/1/ |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“In a Miracle Wellspring” of Goethe’s Poetry: Comments on the Role of Translated Poetry in a Small Literature
by: Liina Lukas
Published: (2023-08-01) -
BREVILOQUENZA COMPONISTICA - ROBERT SCHUMANN AND FRAUENLIEBE UND LEBEN (PART V)
by: Claudia POP
Published: (2011-06-01) -
FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM
by: Boróka GYARMATHY-BENCZE
Published: (2012-12-01) -
“Du meine Seele, du mein Herz” . Self, Other, and Hermaphroditic Union in the Music of Robert (and Clara) Schumann
by: Benedict Taylor
Published: (2021-12-01) -
CORNEL ŢĂRANU – VALENTIN STREINU: MUSICAL-POETIC CONNECTIONS
by: Ciprian Gabriel POP
Published: (2012-12-01)