Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor
The article is dedicated to the analysis of musical motifs performed by Eastern Udmurts within the framework of the spring ritual complex Bydzhynnal (The Great Day). The relevance of this study is justified by the limited exploration of the musical folklore of this local group. The primary sources f...
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| Format: | Article |
| Language: | Estonian |
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Eesti Kirjandusmuuseum
2024-12-01
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| Series: | Mäetagused |
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| Online Access: | https://www.folklore.ee/tagused/nr90/pchelovodova_anisimov.pdf |
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| _version_ | 1841552000564592640 |
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| author | Irina Pchelovodova Nikolai Anisimov |
| author_facet | Irina Pchelovodova Nikolai Anisimov |
| author_sort | Irina Pchelovodova |
| collection | DOAJ |
| description | The article is dedicated to the analysis of musical motifs performed by Eastern Udmurts within the framework of the spring ritual complex Bydzhynnal (The Great Day). The relevance of this study is justified by the limited exploration of the musical folklore of this local group. The primary sources for the analysis include field materials collected during the period from 2016 to 2023, as well as materials from the Scientific Archive of the Institute of Udmurt Philology, Ethnography, and Arts of the Ural Branch of the Russian Academy of Sciences, along with expedition records by Udmurt ethnographer Ranus Sadikov. The research methodology is based on philological and musicological approaches, involving a plot-thematic analysis of poetic texts and the identification of features in the development of melodies in the context of their modal, rhythmic, and melodic characteristics. The results of the analysis indicate the diversity of motifs used in the examined tunes. The identified anhemitonic tonal systems suggest similarities between the calendar musical compositions of Eastern Udmurts and the musical tradition of Southern and Western Udmurts. The rhythmic structures are presented in two main types. The presence of melisma in the melodies has also been identified, which is explained by the influence of Turkic culture. |
| format | Article |
| id | doaj-art-95a7dcaacf98465f80935d08af46ec3f |
| institution | Kabale University |
| issn | 1406-992X 1406-9938 |
| language | Estonian |
| publishDate | 2024-12-01 |
| publisher | Eesti Kirjandusmuuseum |
| record_format | Article |
| series | Mäetagused |
| spelling | doaj-art-95a7dcaacf98465f80935d08af46ec3f2025-01-09T13:58:36ZestEesti KirjandusmuuseumMäetagused1406-992X1406-99382024-12-0190658610.7592/MT2024.90.pchelovodova_anisimovKama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloorIrina Pchelovodova0https://orcid.org/0000-0002-5553-0100Nikolai Anisimov1https://orcid.org/0000-0002-6060-3562Department of Research in Philology, Udmurt Institute of History, Language and Literature, UdmFRC UB RAS, Izhevsk, RussiaDepartment of Folkloristics, Estonian Literary Museum, Tartu, EstoniaThe article is dedicated to the analysis of musical motifs performed by Eastern Udmurts within the framework of the spring ritual complex Bydzhynnal (The Great Day). The relevance of this study is justified by the limited exploration of the musical folklore of this local group. The primary sources for the analysis include field materials collected during the period from 2016 to 2023, as well as materials from the Scientific Archive of the Institute of Udmurt Philology, Ethnography, and Arts of the Ural Branch of the Russian Academy of Sciences, along with expedition records by Udmurt ethnographer Ranus Sadikov. The research methodology is based on philological and musicological approaches, involving a plot-thematic analysis of poetic texts and the identification of features in the development of melodies in the context of their modal, rhythmic, and melodic characteristics. The results of the analysis indicate the diversity of motifs used in the examined tunes. The identified anhemitonic tonal systems suggest similarities between the calendar musical compositions of Eastern Udmurts and the musical tradition of Southern and Western Udmurts. The rhythmic structures are presented in two main types. The presence of melisma in the melodies has also been identified, which is explained by the influence of Turkic culture.https://www.folklore.ee/tagused/nr90/pchelovodova_anisimov.pdfeastern udmurtssong folklorespring ritualsritual songs |
| spellingShingle | Irina Pchelovodova Nikolai Anisimov Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor Mäetagused eastern udmurts song folklore spring rituals ritual songs |
| title | Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor |
| title_full | Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor |
| title_fullStr | Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor |
| title_full_unstemmed | Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor |
| title_short | Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor |
| title_sort | kama taguste udmurtide kevadise suure paeva boddzh onal kombetalituse laulufolkloor |
| topic | eastern udmurts song folklore spring rituals ritual songs |
| url | https://www.folklore.ee/tagused/nr90/pchelovodova_anisimov.pdf |
| work_keys_str_mv | AT irinapchelovodova kamatagusteudmurtidekevadisesuurepaevaboddzhonalkombetalituselaulufolkloor AT nikolaianisimov kamatagusteudmurtidekevadisesuurepaevaboddzhonalkombetalituselaulufolkloor |