Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim
In 1806, the prefect of the Haut-Rhin asked the architect of the city of Strasbourg Pierre Valentin Boudhors to draw up plans for the transformation of the beggars' home in the central prison in Ensisheim. The architect fully overhauled the existing building which was intended to gather the con...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Ministère de la Culture et de la Communication
2022-01-01
|
| Series: | In Situ |
| Subjects: | |
| Online Access: | https://journals.openedition.org/insitu/33260 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1846133183507070976 |
|---|---|
| author | Véronique Umbrecht |
| author_facet | Véronique Umbrecht |
| author_sort | Véronique Umbrecht |
| collection | DOAJ |
| description | In 1806, the prefect of the Haut-Rhin asked the architect of the city of Strasbourg Pierre Valentin Boudhors to draw up plans for the transformation of the beggars' home in the central prison in Ensisheim. The architect fully overhauled the existing building which was intended to gather the convicts from several departments. Trained in Paris, especially in the architect’s office of Chalgrin, he followed the path of the architects of the Revolution, who were considering architecture as a moralising act. The building participated in the education of the citizen and had to show its ethical efficiency: the prison had no other justification than bringing back the convicts into society. Nevertheless, this pedagogy had to be reflected in the development of buildings taking into account the hygiene and moralisation of the place. The architect explained his project in his Preliminary Speech. He carried out a “self-explaining architecture” (“architecture parlante”) while mixing the ancient, medieval and Italian Renaissance architectural elements. Actually, all his drawings were mainly inspired by the Arc-et-Senans saltworks built by Claude Nicolas Ledoux. From the existing buildings, he drew a central axis that symmetrically split the new buildings and organised a succession of yards dedicated to each type of prisoner. Thus, he has designed an architectural complex mixing expression and moralisation. |
| format | Article |
| id | doaj-art-91ad54b6a43547d08a914c7d59f67547 |
| institution | Kabale University |
| issn | 1630-7305 |
| language | fra |
| publishDate | 2022-01-01 |
| publisher | Ministère de la Culture et de la Communication |
| record_format | Article |
| series | In Situ |
| spelling | doaj-art-91ad54b6a43547d08a914c7d59f675472024-12-09T14:08:28ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052022-01-014610.4000/insitu.33260Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à EnsisheimVéronique UmbrechtIn 1806, the prefect of the Haut-Rhin asked the architect of the city of Strasbourg Pierre Valentin Boudhors to draw up plans for the transformation of the beggars' home in the central prison in Ensisheim. The architect fully overhauled the existing building which was intended to gather the convicts from several departments. Trained in Paris, especially in the architect’s office of Chalgrin, he followed the path of the architects of the Revolution, who were considering architecture as a moralising act. The building participated in the education of the citizen and had to show its ethical efficiency: the prison had no other justification than bringing back the convicts into society. Nevertheless, this pedagogy had to be reflected in the development of buildings taking into account the hygiene and moralisation of the place. The architect explained his project in his Preliminary Speech. He carried out a “self-explaining architecture” (“architecture parlante”) while mixing the ancient, medieval and Italian Renaissance architectural elements. Actually, all his drawings were mainly inspired by the Arc-et-Senans saltworks built by Claude Nicolas Ledoux. From the existing buildings, he drew a central axis that symmetrically split the new buildings and organised a succession of yards dedicated to each type of prisoner. Thus, he has designed an architectural complex mixing expression and moralisation.https://journals.openedition.org/insitu/33260cavehygieneprisonprison architecturearchitecture of the first half of the 19th centuryfunctionalist architecture |
| spellingShingle | Véronique Umbrecht Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim In Situ cave hygiene prison prison architecture architecture of the first half of the 19th century functionalist architecture |
| title | Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim |
| title_full | Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim |
| title_fullStr | Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim |
| title_full_unstemmed | Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim |
| title_short | Pierre Valentin Boudhors (1754-1831) : un projet de transformation de la prison à Ensisheim |
| title_sort | pierre valentin boudhors 1754 1831 un projet de transformation de la prison a ensisheim |
| topic | cave hygiene prison prison architecture architecture of the first half of the 19th century functionalist architecture |
| url | https://journals.openedition.org/insitu/33260 |
| work_keys_str_mv | AT veroniqueumbrecht pierrevalentinboudhors17541831unprojetdetransformationdelaprisonaensisheim |