Jane Eyre by Charlotte Brontë: The Never-Ending Story

Jane Eyre by Charlotte Brontë: The Never-Ending Story

Le roman de Charlotte Brontë, Jane Eyre, est habité par la voix inextinguible de l’héroïne. L’usage de la première personne n’est pas seulement structural mais il donne aussi sa tonalité au récit et crée une impression d’intimité. L’histoire racontée par Jane est éminemment subjective. Ce parti pris...

Full description

Saved in:

Bibliographic Details
Main Author:	Stéphanie Bernard
Format:	Article
Language:	English
Published:	Presses universitaires de Rennes 2009-08-01
Series:	Revue LISA
Subjects:	first-person narrative truth narrative distance mirror effects writing
Online Access:	https://journals.openedition.org/lisa/835
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Bernadette Bertrandias, Jane Eyre. Charlotte Brontë. La parole orpheline
by: Bénédicte Coste
Published: (2005-12-01)

“There is always the other side…”: The “Other Women” of Charlotte Brontë’s Jane Eyre
by: Patricia Gott
Published: (2006-12-01)

Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca
by: Paul Marchbanks
Published: (2006-12-01)

The Others in Charlotte Brontë’s Jane Eyre: A Postcolonial-Orientalist and Feminist Reading
by: Filiz Barın Akman
Published: (2019-06-01)

Diverging Interpretations of Charlotte Brontë’s Jane Eyre (1847): Franco Zeffirelli’s and Robert Stevenson’s Screen Adaptations
by: Delphine Letort
Published: (2009-08-01)

Milena Mikhaïlova-Makarius, Amour au miroir. Les fables du fantasme ou la voie lyrique du roman médiéval
by: Anne Berthelot
Published: (2017-01-01)

Emily and Charlotte Brontë’s Re-reading of the Byronic hero
by: Cristina Ceron
Published: (2010-03-01)

“What’s Next?” Jasper Fforde’s Attempts on Jane Eyre
by: Wolfgang Funk
Published: (2010-03-01)

‘Soglitude’- introducing a method of thinking thresholds
by: Tatjana Barazon
Published: (2010-04-01)

The Rise of the “We” Narrator in Modern American Fiction
by: Ruth Maxey
Published: (2015-08-01)

Daring to Be Different: The First-Person HIV-Positive Narrator in Two South African Novels
by: Lizzy Attree
Published: (2022-09-01)

Metafiction in Anton Chekhov’s "A Story Without an End"
by: Artur Sadecki
Published: (2025-01-01)

L’image du père et du jardin : Jane Eyre de Charlotte Brontë et WideSargasso Sea de Jean Rhys
by: Anne-Marie Baranowski
Published: (2006-12-01)

« A thrust at truth and a lie » : The Crying of Lot 49 ou le langage en quête de vérité
by: Jean-Yves Pellegrin
Published: (2004-12-01)

Re-writing the Official Narrative of Bloody Sunday: The Role of Photographs
by: Charlotte Barcat
Published: (2014-06-01)

Adèle, version abâtardie de Jane Eyre
by: Claire Bazin
Published: (2006-12-01)

Mathilde Grodet, « Par bel mentir ». Mensonges et vérités ambiguës en amour dans les récits courtois des xiie et xiiie siècles
by: Mathilde Grodet
Published: (2014-01-01)

Daphne Du Maurier’s Transformation of Jane Eyre in Rebecca
by: Bernadette Bertrandias
Published: (2006-12-01)

Shifting lines in Jan Kerouac’s Baby Driver. A Story about Myself (1981)
by: Catherine MORGAN-PROUX
Published: (2024-12-01)

Stories less told. Behind-the-scenes of feminist narrative research in Brazil
by: Naomi Orton, et al.
Published: (2023-12-01)

The Story of Non-real Man: personal identity and existentialism
by: R. L. Kochnev
Published: (2020-02-01)

Jane Eyre /
by: Bronte, Charlotte
Published: (2014)

Jane Eyre /
by: Bronte,Charlotte
Published: (2000)

The Mystery of the Past Haunts Again: Jane Eyre and Eugenie Marlitt’s Die zweite Frau
by: Ivonne Defant
Published: (2010-03-01)

Compartilhar histórias: cadernos de professores em formação
by: Laura Noemi CHALUH
Published: (2019-01-01)

Teachers’ and Students’ Reflection on the Problem of Writing Narrative Text in a Remote Area (Flores Island)
by: Darmawan Labira
Published: (2023-12-01)

Students’ mistakes in fulfilling the generic structure criteria of narrative text draft
by: Agung Budi Kurniawan
Published: (2024-11-01)

Teachers’ and Students’ Reflection on the Problem of Writing Narrative Text in a Remote Area (Flores Island)
by: Darmawan Labira
Published: (2023-12-01)

“deepen[ing] the power and horror of the original”: Caroline Clive’s Paul Ferroll as Descendant of Jane Eyre
by: Adrienne E. Gavin
Published: (2009-08-01)

Gothic Fault-Lines in Anne Brontë’s Social Fiction: The Case of The Tenant of Wildfell Hall (1848)
by: Isabelle Hervouet
Published: (2023-03-01)

Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
by: Ali Khorashadi, et al.
Published: (2021-10-01)

Joanne Wilkes, Women Reviewing Women in Nineteenth-Century Britain The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot
by: Claire Bazin
Published: (2011-11-01)

Do androids dream of autobiography?
by: A. D. Blizhenskiy
Published: (2023-05-01)

Jane Eyre between the Wars
by: Patsy Stoneman
Published: (2009-08-01)

The French aire in Jane Eyre
by: Emily Eells
Published: (2013-09-01)

Jane Eyre, Past and Present
by: Armelle Parey
Published: (2006-12-01)

Teaching, learning, and growing: the construction of a novice L2 writing teacher’s personal practical knowledge
by: Mingyu Li
Published: (2025-02-01)

Challenges of distance English teaching: Narrative analysis of Iranian mainstream EFL teachers’ lived experiences
by: Fakharzadeh Mehrnoosh, et al.
Published: (2022-12-01)

The Crumbling Two-Story Architecture of Richard Powers’ Fictions
by: Thomas B. Byers
Published: (2010-02-01)

RİVAYETİN METNE DÖNÜŞTÜRÜLMESİNDE RAVİ TASARRUFUNA SEYF B. ÖMER’DEN ÖRNEKLER
by: İsrafil Balcı
Published: (2008-11-01)