Warhol selon Avedon : le paradoxe en héritage ?
This paper links the iconographic tradition related to Saint Sebastian with Valerie Solanas’s « performance » as two visible legacies included in Warhol’s body as photographed by Avedon in his 1969 portrait entitled « Andy Warhol, Artist, New York City, 8/20/69 », in many ways a paradoxical portrait...
Saved in:
Main Author: | Véronique Béghain |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2015-03-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/7067 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol
by: Marie CORDIÉ-LEVY
Published: (2011-03-01) -
Having Your Cake: Caricaturing the Business Organization in 20th-century and Contemporary American Art and Poetry
by: David Reckford
Published: (2023-07-01) -
The Author Inside: Celebrity Photography 1840‒1902
by: Audrey Doussot
Published: (2023-03-01) -
La légende Caravage. Vie et œuvre de l’artiste, entre fantasmes et réalités
by: Natacha Aprile
Published: (2020-10-01) -
Spectres D’Andy Warhol
by: Catherine Bernard
Published: (2006-10-01)