Máquina Museu

Brief and general critical reflection on the “museum” reality and what it implies as a total social phenomenon, typical of modernity. The museum’s civic responsibility as an inescapable ideological-political instrument. The museum contains in itself, or symbolizes, all the paradoxes of modernity and...

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Main Author: Vítor Oliveira Jorge
Format: Article
Language:English
Published: Universidade de Évora 2022-05-01
Series:Midas: Museus e Estudos Interdisciplinares
Subjects:
Online Access:https://journals.openedition.org/midas/3102
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author Vítor Oliveira Jorge
author_facet Vítor Oliveira Jorge
author_sort Vítor Oliveira Jorge
collection DOAJ
description Brief and general critical reflection on the “museum” reality and what it implies as a total social phenomenon, typical of modernity. The museum’s civic responsibility as an inescapable ideological-political instrument. The museum contains in itself, or symbolizes, all the paradoxes of modernity and, with it, of Western ontology itself: it objectifies, it exposes to our scopic and fetishist drive a kind of microcosm, a representative collection of some idea, but, like the collection, it is never complete: the imaginary and the symbolic that the museum embodies are never enough, we always leave the visit with a sense of incompleteness. But it's a good thing that the museum is an imperfect machine: in a functionalized world, it is the modern temple where one does nothing, only contemplates or essentially meditates.
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publisher Universidade de Évora
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series Midas: Museus e Estudos Interdisciplinares
spelling doaj-art-8d74c571123f4d1b86d3935f4350df022024-12-09T15:18:48ZengUniversidade de ÉvoraMidas: Museus e Estudos Interdisciplinares2182-95432022-05-011410.4000/midas.3102Máquina MuseuVítor Oliveira JorgeBrief and general critical reflection on the “museum” reality and what it implies as a total social phenomenon, typical of modernity. The museum’s civic responsibility as an inescapable ideological-political instrument. The museum contains in itself, or symbolizes, all the paradoxes of modernity and, with it, of Western ontology itself: it objectifies, it exposes to our scopic and fetishist drive a kind of microcosm, a representative collection of some idea, but, like the collection, it is never complete: the imaginary and the symbolic that the museum embodies are never enough, we always leave the visit with a sense of incompleteness. But it's a good thing that the museum is an imperfect machine: in a functionalized world, it is the modern temple where one does nothing, only contemplates or essentially meditates.https://journals.openedition.org/midas/3102musealisationmuseumspatrimonialisationmuseums and western modernitymuseums and social responsibility
spellingShingle Vítor Oliveira Jorge
Máquina Museu
Midas: Museus e Estudos Interdisciplinares
musealisation
museums
patrimonialisation
museums and western modernity
museums and social responsibility
title Máquina Museu
title_full Máquina Museu
title_fullStr Máquina Museu
title_full_unstemmed Máquina Museu
title_short Máquina Museu
title_sort maquina museu
topic musealisation
museums
patrimonialisation
museums and western modernity
museums and social responsibility
url https://journals.openedition.org/midas/3102
work_keys_str_mv AT vitoroliveirajorge maquinamuseu