Nunca una vida sola

You can do a lot of things with a life, even erase it, but telling it is impossible. A biographer goes on stage with scissors, not with ink or keyboard, and in exchange for that loyal inaugural precariousness his editing room offers infinite variations. In their own way Arturo Capdevila's libra...

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Bibliographic Details
Main Author: Matías Serra Bradford
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2021-03-01
Series:Cuadernos LIRICO
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Online Access:https://journals.openedition.org/lirico/10006
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Summary:You can do a lot of things with a life, even erase it, but telling it is impossible. A biographer goes on stage with scissors, not with ink or keyboard, and in exchange for that loyal inaugural precariousness his editing room offers infinite variations. In their own way Arturo Capdevila's library, Carlos Mastronardi's Borges and Bioy Casares's Borges, encapsulate an era, an environment, a scheme of expectations, intersecting lives (friends as indirect biographers). Subjected to ambitious use, they project themselves into the days to come. They stage a tradition and entrust themselves to a continuity.
ISSN:2262-8339