Sérialité et réflexivité : les suites conscientes d’elles-mêmes
This article studies the manner in which some serial contemporary productions problematize their sequel status within their diegesis. The examination of the different metadiscursive strategies that these sequels have recourse to in order to exorcise the suspicion of illegitimacy that haunts them lea...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-01-01
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| Series: | Mise au Point |
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| Online Access: | https://journals.openedition.org/map/2522 |
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| _version_ | 1846130901584445440 |
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| author | Jules Sandeau |
| author_facet | Jules Sandeau |
| author_sort | Jules Sandeau |
| collection | DOAJ |
| description | This article studies the manner in which some serial contemporary productions problematize their sequel status within their diegesis. The examination of the different metadiscursive strategies that these sequels have recourse to in order to exorcise the suspicion of illegitimacy that haunts them leads us to identify three main aspects of this reflexive posture. Each modality is successively studied in depth through the analysis of a film that embodies an emblematic expression of it (Scream 4, 22 Jump Street, Jurassic World). |
| format | Article |
| id | doaj-art-894e657e25c04aa38ec3111da99aede1 |
| institution | Kabale University |
| issn | 2261-9623 |
| language | English |
| publishDate | 2018-01-01 |
| publisher | Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
| record_format | Article |
| series | Mise au Point |
| spelling | doaj-art-894e657e25c04aa38ec3111da99aede12024-12-09T15:59:47ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232018-01-011010.4000/map.2522Sérialité et réflexivité : les suites conscientes d’elles-mêmesJules SandeauThis article studies the manner in which some serial contemporary productions problematize their sequel status within their diegesis. The examination of the different metadiscursive strategies that these sequels have recourse to in order to exorcise the suspicion of illegitimacy that haunts them leads us to identify three main aspects of this reflexive posture. Each modality is successively studied in depth through the analysis of a film that embodies an emblematic expression of it (Scream 4, 22 Jump Street, Jurassic World).https://journals.openedition.org/map/2522Hollywoodsequelreflexivitymetadiscursivity |
| spellingShingle | Jules Sandeau Sérialité et réflexivité : les suites conscientes d’elles-mêmes Mise au Point Hollywood sequel reflexivity metadiscursivity |
| title | Sérialité et réflexivité : les suites conscientes d’elles-mêmes |
| title_full | Sérialité et réflexivité : les suites conscientes d’elles-mêmes |
| title_fullStr | Sérialité et réflexivité : les suites conscientes d’elles-mêmes |
| title_full_unstemmed | Sérialité et réflexivité : les suites conscientes d’elles-mêmes |
| title_short | Sérialité et réflexivité : les suites conscientes d’elles-mêmes |
| title_sort | serialite et reflexivite les suites conscientes d elles memes |
| topic | Hollywood sequel reflexivity metadiscursivity |
| url | https://journals.openedition.org/map/2522 |
| work_keys_str_mv | AT julessandeau serialiteetreflexivitelessuitesconscientesdellesmemes |