“We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours

This article focuses on Henry James’s Italian Hours from the perspective of the author’s response to the restoration of Italian architecture and more generally to the place of modernity in the Italian cityscape. A central issue in the intellectual and artistic debates of the 19th century, the proces...

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Main Author: Monica MANOLESCU-OANCEA
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2010-03-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/1029
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author Monica MANOLESCU-OANCEA
author_facet Monica MANOLESCU-OANCEA
author_sort Monica MANOLESCU-OANCEA
collection DOAJ
description This article focuses on Henry James’s Italian Hours from the perspective of the author’s response to the restoration of Italian architecture and more generally to the place of modernity in the Italian cityscape. A central issue in the intellectual and artistic debates of the 19th century, the process of restoration triggered various responses. Henry James, just like John Ruskin, was horrified by the results of restoration in Italy, for reasons having to do with his vision of the organic growth of buildings, with his stance as a discreet and “uninvestigating” traveller and with his criticism of “improvement” as bad taste. Although he rejects renovation as interference of the present in the past, he accepts, albeit reluctantly, the necessity of “young Italy” to become a modern state. James’s nuanced response to Ruskin is part of his ambivalent attitude as regards the evolution of Italian cities towards modernity.
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spelling doaj-art-87edd42b60f34f61928e0f0731dc42f72025-01-09T12:53:25ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182010-03-017210.4000/erea.1029“We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian HoursMonica MANOLESCU-OANCEAThis article focuses on Henry James’s Italian Hours from the perspective of the author’s response to the restoration of Italian architecture and more generally to the place of modernity in the Italian cityscape. A central issue in the intellectual and artistic debates of the 19th century, the process of restoration triggered various responses. Henry James, just like John Ruskin, was horrified by the results of restoration in Italy, for reasons having to do with his vision of the organic growth of buildings, with his stance as a discreet and “uninvestigating” traveller and with his criticism of “improvement” as bad taste. Although he rejects renovation as interference of the present in the past, he accepts, albeit reluctantly, the necessity of “young Italy” to become a modern state. James’s nuanced response to Ruskin is part of his ambivalent attitude as regards the evolution of Italian cities towards modernity.https://journals.openedition.org/erea/1029Henry Jamestravel writingItalian citiesrestorationarchitecturecities and modernity
spellingShingle Monica MANOLESCU-OANCEA
“We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
E-REA
Henry James
travel writing
Italian cities
restoration
architecture
cities and modernity
title “We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
title_full “We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
title_fullStr “We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
title_full_unstemmed “We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
title_short “We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours
title_sort we have botched them and patched them modernity and restoration in henry james s italian hours
topic Henry James
travel writing
Italian cities
restoration
architecture
cities and modernity
url https://journals.openedition.org/erea/1029
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