Les représentations de l’ennemi et du combat dans les dessins animés soviétiques de 1941
World War II had a considerable impact on the cultural production of countries implicated in conflict, what notably reverberated in the visual propaganda supporting political discourse. In front of the largeness of threat, the Soviet authorities did not hesitate to mobilize artistic community to rel...
Saved in:
Main Author: | David Maurice |
---|---|
Format: | Article |
Language: | English |
Published: |
TELEMME - UMR 6570
2011-05-01
|
Series: | Amnis |
Subjects: | |
Online Access: | https://journals.openedition.org/amnis/1430 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
L’ennemi dans l’après-guerre espagnole, 1939-1945
by: Javier Domínguez Arribas
Published: (2017-12-01) -
L’ennemi dans l’après-guerre espagnole, 1939-1945
by: Javier Domínguez Arribas
Published: (2018-07-01) -
La mobilisation autour des « atrocités de l'ennemi », Russie 1914-1918
by: Alexandre Sumpf
Published: (2012-07-01) -
Çin Halk Cumhuriyeti’nde Sovyet Revizyonizmi’ne Karşı Kitapların Propaganda Amaçlı Kullanımı
by: Tuğba Baytimur, et al.
Published: (2021-06-01) -
Théâtre et cinéma dans les territoires occupés de Russie à travers la presse collaborationniste (1941-1944)
by: Boris Kovaliov
Published: (2020-09-01)