Discours de l’exiguïté comme littératures-mondes ?

This article examines one of the discourses of smallness that François Paré refers to as « island literature ». I will analyze the concept of the island fragment to understand if any affinities exist among models of transculturality that describe writing without borders the way this term is understo...

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Main Author: Silvia U. Baage
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2017-01-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/2092
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author Silvia U. Baage
author_facet Silvia U. Baage
author_sort Silvia U. Baage
collection DOAJ
description This article examines one of the discourses of smallness that François Paré refers to as « island literature ». I will analyze the concept of the island fragment to understand if any affinities exist among models of transculturality that describe writing without borders the way this term is understood by island authors, the advocates for world literature in French, and literary critics. I will look at two anthologies, the collection « Miniatures: Nouvelles du Monde » (published in Paris) and the collection of transoceanic short stories Partir sans passeport (Idem, 2011). My analysis will first focus on the epistemological function of the fragment and then move to the « double-minorisation » of space (the island) and genre (the short story). In the last section, I will show that in the short stories in question, writing the fragment takes into consideration the experience of exile and migration in its various forms. Is the writer of the margins condemned to express himself in a « minor » genre to make his voice heard?
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spelling doaj-art-87363a87b0bb4b0a94a3b79c63b28dde2024-12-09T13:43:40ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-01-01910.4000/carnets.2092Discours de l’exiguïté comme littératures-mondes ?Silvia U. BaageThis article examines one of the discourses of smallness that François Paré refers to as « island literature ». I will analyze the concept of the island fragment to understand if any affinities exist among models of transculturality that describe writing without borders the way this term is understood by island authors, the advocates for world literature in French, and literary critics. I will look at two anthologies, the collection « Miniatures: Nouvelles du Monde » (published in Paris) and the collection of transoceanic short stories Partir sans passeport (Idem, 2011). My analysis will first focus on the epistemological function of the fragment and then move to the « double-minorisation » of space (the island) and genre (the short story). In the last section, I will show that in the short stories in question, writing the fragment takes into consideration the experience of exile and migration in its various forms. Is the writer of the margins condemned to express himself in a « minor » genre to make his voice heard?https://journals.openedition.org/carnets/2092anthologyexiguityislandsworld literature in Frenchmarginsshort story
spellingShingle Silvia U. Baage
Discours de l’exiguïté comme littératures-mondes ?
Carnets
anthology
exiguity
islands
world literature in French
margins
short story
title Discours de l’exiguïté comme littératures-mondes ?
title_full Discours de l’exiguïté comme littératures-mondes ?
title_fullStr Discours de l’exiguïté comme littératures-mondes ?
title_full_unstemmed Discours de l’exiguïté comme littératures-mondes ?
title_short Discours de l’exiguïté comme littératures-mondes ?
title_sort discours de l exiguite comme litteratures mondes
topic anthology
exiguity
islands
world literature in French
margins
short story
url https://journals.openedition.org/carnets/2092
work_keys_str_mv AT silviaubaage discoursdelexiguitecommelitteraturesmondes