Virtue and Liberty: Italian Opera and Roman Self-Imaging in Britain, 1720-1742
En Angleterre, les opéras et les chanteurs italiens ont été, dès le départ, objets de ridicule et d’invectives. Cependant, les sommes d’argent importantes, le soutien et le mécénat dont cet art bénéficia de la part des élites intellectuelles, culturelles et politiques du royaume semble suggérer que...
Saved in:
Main Author: | Thomas McGeary |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2008-02-01
|
Series: | Revue LISA |
Online Access: | https://journals.openedition.org/lisa/1130 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Opera and british nationalism, 1700-1711
by: Thomas McGeary
Published: (2006-06-01) -
OPERA AND ITALIAN IDENTITY: THE LONG VIEW
by: Stefano CASTELVECCHI
Published: (2013-12-01) -
Farinelli and the English: “One God” or the Devil?
by: Thomas McGeary
Published: (2004-05-01) -
Farinelli and the English: “One God” or the Devil?
by: Thomas McGeary
Published: (2004-01-01) -
Historiography of Neo-Roman Thought: Critical Review of Skinner’s Liberty before Liberalism
by: Reza Najafzadeh
Published: (2018-09-01)