PARIS... c’est pas fini!
The departure and stay in a foreign country imply a double movement of invasion/evasion grounded in the dichotomy identity/alterity, I/the other, here/there or, more specifically, in the antinomy appropriation/distance. To this respect, Paris, a notoriously mythical space, lends itself to the expect...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2012-06-01
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| Series: | Carnets |
| Subjects: | |
| Online Access: | https://journals.openedition.org/carnets/7736 |
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| Summary: | The departure and stay in a foreign country imply a double movement of invasion/evasion grounded in the dichotomy identity/alterity, I/the other, here/there or, more specifically, in the antinomy appropriation/distance. To this respect, Paris, a notoriously mythical space, lends itself to the expectant look of the neophyte that takes refuge there, for reasons of literary apprenticeship leading to the wish of materialising a vocation (the case of París non se acaba nunca by Enrique Vila-Matas), of succeeding individually and socially (El síndrome de Ulises by Santiago Gamboa presents several testimonies respecting the image of the French capital in a given conjuncture) and finding a safe haven for a forced exile (the emigration in France, during Franco’s regime, narrated by Almuneda Grandes in El corazón helado). On the one hand we have dream and the mirage; on the other, hostility and disillusion… |
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| ISSN: | 1646-7698 |