Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident

In 2007, Zack Snyder made a movie about Leonidas and the 300 Spartans who fell at Thermopylae to the Persian forces of Xerxes. The movie was inspired by a graphic novel by Frank Miller, which presented a distorted vision of Sparta as the mother of American democracy and a model for countering expans...

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Main Authors: Vivien Barrière, Jean Hedin
Format: Article
Language:English
Published: Université Lumière Lyon 2 2023-12-01
Series:Frontière·s
Online Access:https://journals.openedition.org/frontieres/1907
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author Vivien Barrière
Jean Hedin
author_facet Vivien Barrière
Jean Hedin
author_sort Vivien Barrière
collection DOAJ
description In 2007, Zack Snyder made a movie about Leonidas and the 300 Spartans who fell at Thermopylae to the Persian forces of Xerxes. The movie was inspired by a graphic novel by Frank Miller, which presented a distorted vision of Sparta as the mother of American democracy and a model for countering expansionist and liberticidal projects from the Middle East. Even more than the original comic book, the film, made in the USA of G.W. Bush, still traumatized by the attacks of 11 September 2001 and obsessed by his desire for revenge, is a genuine attempt to mobilize American society, and more broadly Western societies, against the existential threat posed by the conquering East to Westerners who are losing ground. This virile, warlike, eugenicist Sparta portrayed by F. Miller as the ideal ancient city, has seduced identitarian, xenophobic and declinist circles in France and abroad.
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spelling doaj-art-8578ae444b674c0fb8e61998e6ea2b952025-01-09T12:57:14ZengUniversité Lumière Lyon 2Frontière·s2534-75352023-12-01910.35562/frontieres.1907Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’OccidentVivien BarrièreJean HedinIn 2007, Zack Snyder made a movie about Leonidas and the 300 Spartans who fell at Thermopylae to the Persian forces of Xerxes. The movie was inspired by a graphic novel by Frank Miller, which presented a distorted vision of Sparta as the mother of American democracy and a model for countering expansionist and liberticidal projects from the Middle East. Even more than the original comic book, the film, made in the USA of G.W. Bush, still traumatized by the attacks of 11 September 2001 and obsessed by his desire for revenge, is a genuine attempt to mobilize American society, and more broadly Western societies, against the existential threat posed by the conquering East to Westerners who are losing ground. This virile, warlike, eugenicist Sparta portrayed by F. Miller as the ideal ancient city, has seduced identitarian, xenophobic and declinist circles in France and abroad.https://journals.openedition.org/frontieres/1907
spellingShingle Vivien Barrière
Jean Hedin
Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
Frontière·s
title Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
title_full Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
title_fullStr Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
title_full_unstemmed Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
title_short Mélancolie spartiate. 300 ou la réactivation du mythe de Léonidas pour mobiliser la société contre le déclin de l’Occident
title_sort melancolie spartiate 300 ou la reactivation du mythe de leonidas pour mobiliser la societe contre le declin de l occident
url https://journals.openedition.org/frontieres/1907
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