Las visiones de Raúl Zurita y el prejuicio de lo sublime
This article examines the reach of performative utterance in the poetry of the Chilean Raúl Zurita (1950- ) in poem collections linked with de cycle of « the new life » (Purgatorio, 1979 ; Purgatorio, 1982 ; La vida nueva, 1994 ; Cuadernos de Guerra, 2009). To examine Zurita’s strategies (specially...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2012-12-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/457 |
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| _version_ | 1841551342421671936 |
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| author | Geneviève Fabry |
| author_facet | Geneviève Fabry |
| author_sort | Geneviève Fabry |
| collection | DOAJ |
| description | This article examines the reach of performative utterance in the poetry of the Chilean Raúl Zurita (1950- ) in poem collections linked with de cycle of « the new life » (Purgatorio, 1979 ; Purgatorio, 1982 ; La vida nueva, 1994 ; Cuadernos de Guerra, 2009). To examine Zurita’s strategies (specially the association of poetry and land art) as expressions of the esthetics of sublime, as Kant, Lyotard and Saint Girons define it, permits to project a new light upon this most puzzling work and, at the same time, to determine more accurately what is at stake in the controversies it engenders (above all, consult the criticisms by Nelly Richard and Roberto Bolaño). |
| format | Article |
| id | doaj-art-81c71a451ae54871a7201447de5453af |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2012-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-81c71a451ae54871a7201447de5453af2025-01-09T16:15:14ZspaPresses universitaires du MidiCaravelle1147-67532272-98282012-12-019923925510.4000/caravelle.457Las visiones de Raúl Zurita y el prejuicio de lo sublimeGeneviève FabryThis article examines the reach of performative utterance in the poetry of the Chilean Raúl Zurita (1950- ) in poem collections linked with de cycle of « the new life » (Purgatorio, 1979 ; Purgatorio, 1982 ; La vida nueva, 1994 ; Cuadernos de Guerra, 2009). To examine Zurita’s strategies (specially the association of poetry and land art) as expressions of the esthetics of sublime, as Kant, Lyotard and Saint Girons define it, permits to project a new light upon this most puzzling work and, at the same time, to determine more accurately what is at stake in the controversies it engenders (above all, consult the criticisms by Nelly Richard and Roberto Bolaño).https://journals.openedition.org/caravelle/457ZuritaSublimeBolañoPerformative utteranceChilean Neo-avant-garde |
| spellingShingle | Geneviève Fabry Las visiones de Raúl Zurita y el prejuicio de lo sublime Caravelle Zurita Sublime Bolaño Performative utterance Chilean Neo-avant-garde |
| title | Las visiones de Raúl Zurita y el prejuicio de lo sublime |
| title_full | Las visiones de Raúl Zurita y el prejuicio de lo sublime |
| title_fullStr | Las visiones de Raúl Zurita y el prejuicio de lo sublime |
| title_full_unstemmed | Las visiones de Raúl Zurita y el prejuicio de lo sublime |
| title_short | Las visiones de Raúl Zurita y el prejuicio de lo sublime |
| title_sort | las visiones de raul zurita y el prejuicio de lo sublime |
| topic | Zurita Sublime Bolaño Performative utterance Chilean Neo-avant-garde |
| url | https://journals.openedition.org/caravelle/457 |
| work_keys_str_mv | AT genevievefabry lasvisionesderaulzuritayelprejuiciodelosublime |