L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire

Theorizing about the very genre he’s trying to promote, Maurice Renard provides the “merveilleux-scientifique” (scientific marvelous, 1909), then the “roman d’hypothèse” (hypothesis novel, 1925) with great ambitions. However his own writing strikingly exceeds his initial program. Renard’s works abou...

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Main Author: Simon Bréan
Format: Article
Language:fra
Published: Université de Limoges 2018-06-01
Series:ReS Futurae
Subjects:
Online Access:https://journals.openedition.org/resf/1266
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author Simon Bréan
author_facet Simon Bréan
author_sort Simon Bréan
collection DOAJ
description Theorizing about the very genre he’s trying to promote, Maurice Renard provides the “merveilleux-scientifique” (scientific marvelous, 1909), then the “roman d’hypothèse” (hypothesis novel, 1925) with great ambitions. However his own writing strikingly exceeds his initial program. Renard’s works abound in incitative literary devices and strategies, that may weaken scientific extrapolation : the use of fictional artefacts, following the tradition of the Fantastique, of humor, of characters and situations coming from popular serials, of eroticism. Nevertheless, the tension between these varied aspects only adds to the coherence of Maurice Renard aesthetics. This paper aims at showing how the writer of the “merveilleux-scientifique” gives life to his hypotheses, focusing on Le Docteur Lerne, Le Péril bleu, Les Mains d’Orlac, « L’Homme truqué », Un homme chez les microbes, and Le Maître de la lumière.
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institution Kabale University
issn 2264-6949
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publisher Université de Limoges
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series ReS Futurae
spelling doaj-art-80520a88d6cb47d8b5ce887c8b258c9c2025-01-06T10:42:27ZfraUniversité de LimogesReS Futurae2264-69492018-06-011110.4000/resf.1266L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraireSimon BréanTheorizing about the very genre he’s trying to promote, Maurice Renard provides the “merveilleux-scientifique” (scientific marvelous, 1909), then the “roman d’hypothèse” (hypothesis novel, 1925) with great ambitions. However his own writing strikingly exceeds his initial program. Renard’s works abound in incitative literary devices and strategies, that may weaken scientific extrapolation : the use of fictional artefacts, following the tradition of the Fantastique, of humor, of characters and situations coming from popular serials, of eroticism. Nevertheless, the tension between these varied aspects only adds to the coherence of Maurice Renard aesthetics. This paper aims at showing how the writer of the “merveilleux-scientifique” gives life to his hypotheses, focusing on Le Docteur Lerne, Le Péril bleu, Les Mains d’Orlac, « L’Homme truqué », Un homme chez les microbes, and Le Maître de la lumière.https://journals.openedition.org/resf/1266genresextrapolationscientific marvelousRenard (Maurice)
spellingShingle Simon Bréan
L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
ReS Futurae
genres
extrapolation
scientific marvelous
Renard (Maurice)
title L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
title_full L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
title_fullStr L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
title_full_unstemmed L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
title_short L’écriture de Maurice Renard, en tension entre extrapolation scientifique et figuration littéraire
title_sort l ecriture de maurice renard en tension entre extrapolation scientifique et figuration litteraire
topic genres
extrapolation
scientific marvelous
Renard (Maurice)
url https://journals.openedition.org/resf/1266
work_keys_str_mv AT simonbrean lecrituredemauricerenardentensionentreextrapolationscientifiqueetfigurationlitteraire