The art of the stage set as a paradigm for an aesthetics of atmospheres
This article delineates the aesthetics of atmopheres in general but has an emphasis on making atmospheres. From this point of view the art of the stage set turns out to be a paradigm for what are the main concepts of the theory of atmosphere: types of atmospheres (characters), their quasi-objectivit...
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Format: | Article |
Language: | fra |
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UMR 1563 « Ambiances Architectures Urbanités »
2013-02-01
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Series: | Ambiances |
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Online Access: | https://journals.openedition.org/ambiances/315 |
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author | Gernot Böhme |
author_facet | Gernot Böhme |
author_sort | Gernot Böhme |
collection | DOAJ |
description | This article delineates the aesthetics of atmopheres in general but has an emphasis on making atmospheres. From this point of view the art of the stage set turns out to be a paradigm for what are the main concepts of the theory of atmosphere: types of atmospheres (characters), their quasi-objectivity, means to produce atmospheres, emotional content. The ubiquitous meaning of atmospheres is demonstrated from the background of staging everything in our present civilization: public events, politics, commodities, and even personal life. |
format | Article |
id | doaj-art-7efa4feeca824d20a404917b8b39eb0c |
institution | Kabale University |
issn | 2266-839X |
language | fra |
publishDate | 2013-02-01 |
publisher | UMR 1563 « Ambiances Architectures Urbanités » |
record_format | Article |
series | Ambiances |
spelling | doaj-art-7efa4feeca824d20a404917b8b39eb0c2025-01-13T16:05:57ZfraUMR 1563 « Ambiances Architectures Urbanités »Ambiances2266-839X2013-02-0110.4000/ambiances.315The art of the stage set as a paradigm for an aesthetics of atmospheresGernot BöhmeThis article delineates the aesthetics of atmopheres in general but has an emphasis on making atmospheres. From this point of view the art of the stage set turns out to be a paradigm for what are the main concepts of the theory of atmosphere: types of atmospheres (characters), their quasi-objectivity, means to produce atmospheres, emotional content. The ubiquitous meaning of atmospheres is demonstrated from the background of staging everything in our present civilization: public events, politics, commodities, and even personal life.https://journals.openedition.org/ambiances/315atmospherestagingcommodity aestheticsemotionsspace |
spellingShingle | Gernot Böhme The art of the stage set as a paradigm for an aesthetics of atmospheres Ambiances atmosphere staging commodity aesthetics emotions space |
title | The art of the stage set as a paradigm for an aesthetics of atmospheres |
title_full | The art of the stage set as a paradigm for an aesthetics of atmospheres |
title_fullStr | The art of the stage set as a paradigm for an aesthetics of atmospheres |
title_full_unstemmed | The art of the stage set as a paradigm for an aesthetics of atmospheres |
title_short | The art of the stage set as a paradigm for an aesthetics of atmospheres |
title_sort | art of the stage set as a paradigm for an aesthetics of atmospheres |
topic | atmosphere staging commodity aesthetics emotions space |
url | https://journals.openedition.org/ambiances/315 |
work_keys_str_mv | AT gernotbohme theartofthestagesetasaparadigmforanaestheticsofatmospheres AT gernotbohme artofthestagesetasaparadigmforanaestheticsofatmospheres |