Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar

This paper approaches the popularization of high culture through visual mechanisms as portrayed in Javier Pérez Andújar’s Los príncipes valientes (2007). More specifically, it thoroughly analyses the coexistence of oral popular tradition and new popular culture during the late periods of Franco regi...

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Main Author: Jessica Cáliz Montes
Format: Article
Language:English
Published: TELEMME - UMR 6570 2015-07-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/2586
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author Jessica Cáliz Montes
author_facet Jessica Cáliz Montes
author_sort Jessica Cáliz Montes
collection DOAJ
description This paper approaches the popularization of high culture through visual mechanisms as portrayed in Javier Pérez Andújar’s Los príncipes valientes (2007). More specifically, it thoroughly analyses the coexistence of oral popular tradition and new popular culture during the late periods of Franco regime, disseminated by media and closely corresponding to the (Amorós) « subculture » –television, comics, cinema, music, etc.– where there is also place for the dissemination of high culture. To illustrate the subtle ways in which the Classics were approached, Javier Pérez Andújar’s first novel, between biographic essay and autofiction novel, revolves around two main ideas: common experiences of Spanish children of the seventies and the author’s discovery of his literary calling. 
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spelling doaj-art-7d95b4652b9d49e6be7e6520a1f668d12025-01-09T16:31:43ZengTELEMME - UMR 6570Amnis1764-71932015-07-011410.4000/amnis.2586Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez AndújarJessica Cáliz MontesThis paper approaches the popularization of high culture through visual mechanisms as portrayed in Javier Pérez Andújar’s Los príncipes valientes (2007). More specifically, it thoroughly analyses the coexistence of oral popular tradition and new popular culture during the late periods of Franco regime, disseminated by media and closely corresponding to the (Amorós) « subculture » –television, comics, cinema, music, etc.– where there is also place for the dissemination of high culture. To illustrate the subtle ways in which the Classics were approached, Javier Pérez Andújar’s first novel, between biographic essay and autofiction novel, revolves around two main ideas: common experiences of Spanish children of the seventies and the author’s discovery of his literary calling. https://journals.openedition.org/amnis/2586ComicsTelevisionMass CultureLate FrancoismJavier Pérez Andújar
spellingShingle Jessica Cáliz Montes
Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
Amnis
Comics
Television
Mass Culture
Late Francoism
Javier Pérez Andújar
title Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
title_full Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
title_fullStr Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
title_full_unstemmed Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
title_short Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar
title_sort modos subordinados de acceso a los clasicos en los principes valientes de javier perez andujar
topic Comics
Television
Mass Culture
Late Francoism
Javier Pérez Andújar
url https://journals.openedition.org/amnis/2586
work_keys_str_mv AT jessicacalizmontes modossubordinadosdeaccesoalosclasicosenlosprincipesvalientesdejavierperezandujar