Transplantation et hybridation transculturelle dans la poésie d’Olive Senior

A metaphor of the Caribbean biodiversity, Olive Senior’s poetry is a Creole meditation on Caribbean landscape and its processes of hybridization, proliferation and reproduction. Senior’s poetic language not only personifies the Caribbean flora but also feminizes it underlining its cross-fertilizatio...

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Main Author: Myriam Moïse
Format: Article
Language:fra
Published: Éditions en environnement VertigO 2012-09-01
Series:VertigO
Subjects:
Online Access:https://journals.openedition.org/vertigo/12545
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author Myriam Moïse
author_facet Myriam Moïse
author_sort Myriam Moïse
collection DOAJ
description A metaphor of the Caribbean biodiversity, Olive Senior’s poetry is a Creole meditation on Caribbean landscape and its processes of hybridization, proliferation and reproduction. Senior’s poetic language not only personifies the Caribbean flora but also feminizes it underlining its cross-fertilization as a mean to resist men’s exploitation and to counter the reconquest of the postcolonial space. As a matter of fact, the natural environment depicted by Senior is a fragmented Caribbean landscape, one that is deflowered by colonisation and tourism. Plants are ambivalent symbols embodying both fertility and sterility. The planted seed becomes an allegory of spatial invasion and of remapping, while its hybrid crop resists and comes to feed the memory of the Caribbean people. This poetry of ambivalence is at the heart of the Caribbean diasporic imagination and contributes to the construction of new transcultural identities that proliferate in diasporic spaces.
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spelling doaj-art-7cda93853836413096639e399dd683b22025-01-09T12:38:39ZfraÉditions en environnement VertigOVertigO1492-84422012-09-011410.4000/vertigo.12545Transplantation et hybridation transculturelle dans la poésie d’Olive SeniorMyriam MoïseA metaphor of the Caribbean biodiversity, Olive Senior’s poetry is a Creole meditation on Caribbean landscape and its processes of hybridization, proliferation and reproduction. Senior’s poetic language not only personifies the Caribbean flora but also feminizes it underlining its cross-fertilization as a mean to resist men’s exploitation and to counter the reconquest of the postcolonial space. As a matter of fact, the natural environment depicted by Senior is a fragmented Caribbean landscape, one that is deflowered by colonisation and tourism. Plants are ambivalent symbols embodying both fertility and sterility. The planted seed becomes an allegory of spatial invasion and of remapping, while its hybrid crop resists and comes to feed the memory of the Caribbean people. This poetry of ambivalence is at the heart of the Caribbean diasporic imagination and contributes to the construction of new transcultural identities that proliferate in diasporic spaces.https://journals.openedition.org/vertigo/12545hybriditytransculturalismcreolisationreproductionproliferationpostcolonialism
spellingShingle Myriam Moïse
Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
VertigO
hybridity
transculturalism
creolisation
reproduction
proliferation
postcolonialism
title Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
title_full Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
title_fullStr Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
title_full_unstemmed Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
title_short Transplantation et hybridation transculturelle dans la poésie d’Olive Senior
title_sort transplantation et hybridation transculturelle dans la poesie d olive senior
topic hybridity
transculturalism
creolisation
reproduction
proliferation
postcolonialism
url https://journals.openedition.org/vertigo/12545
work_keys_str_mv AT myriammoise transplantationethybridationtransculturelledanslapoesiedolivesenior