Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping

This article aims to study the work of Günter Grass in the light of the concept of ‘borderscaping’. After briefly evoking the origin of the concept and the related theoretical background, we show how Grass’s work questions the notion of frontier in various ways. First, the aim is to show that, parti...

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Main Author: Dorothée Cailleux
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2017-12-01
Series:Recherches Germaniques
Online Access:https://journals.openedition.org/rg/284
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author Dorothée Cailleux
author_facet Dorothée Cailleux
author_sort Dorothée Cailleux
collection DOAJ
description This article aims to study the work of Günter Grass in the light of the concept of ‘borderscaping’. After briefly evoking the origin of the concept and the related theoretical background, we show how Grass’s work questions the notion of frontier in various ways. First, the aim is to show that, particularly in the Danzig trilogy, Günter Grass attempts to describe a geographical area in which languages, traditions and cultures are mixed, regardless of the physical German-Polish borderline. A second part devoted to Unkenrufe analyzes how the author denounces the creation of hermetic immaterial borders, at the very moment when the new geographical boundaries seem to promise the end of the confrontation between nations. A final part of this paper attempts to show how the history of the reception of Grass’s work in Poland fully illustrates the process of deconstruction of the frontier that literature is able to achieve, because it can influence the representations of readers on the border and create a new mental landscape.
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spelling doaj-art-7c8fa9272c4041a6bac67bb912413f162025-01-10T14:27:53ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2017-12-0147759310.4000/rg.284Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscapingDorothée CailleuxThis article aims to study the work of Günter Grass in the light of the concept of ‘borderscaping’. After briefly evoking the origin of the concept and the related theoretical background, we show how Grass’s work questions the notion of frontier in various ways. First, the aim is to show that, particularly in the Danzig trilogy, Günter Grass attempts to describe a geographical area in which languages, traditions and cultures are mixed, regardless of the physical German-Polish borderline. A second part devoted to Unkenrufe analyzes how the author denounces the creation of hermetic immaterial borders, at the very moment when the new geographical boundaries seem to promise the end of the confrontation between nations. A final part of this paper attempts to show how the history of the reception of Grass’s work in Poland fully illustrates the process of deconstruction of the frontier that literature is able to achieve, because it can influence the representations of readers on the border and create a new mental landscape.https://journals.openedition.org/rg/284
spellingShingle Dorothée Cailleux
Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
Recherches Germaniques
title Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
title_full Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
title_fullStr Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
title_full_unstemmed Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
title_short Percevoir et transformer la frontière. L’œuvre de Günter Grass comme processus de borderscaping
title_sort percevoir et transformer la frontiere l oeuvre de gunter grass comme processus de borderscaping
url https://journals.openedition.org/rg/284
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