El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo

Since the late 1950s, the Argentine writer Abelardo Castillo has published the cultural magazines El Grillo de Papel (1959-1960), El Escarabajo de Oro (1961-1974) and El Ornitorrinco (1977-1986). Under Sartre's notorious influence, their pages framed the theater in philosophical, sociologica...

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Main Author: Lucas Rimoldi
Format: Article
Language:deu
Published: Föreningen Tidskriften Moderna språk 2017-08-01
Series:Moderna Språk
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Online Access:https://publicera.kb.se/mosp/article/view/7783
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author Lucas Rimoldi
author_facet Lucas Rimoldi
author_sort Lucas Rimoldi
collection DOAJ
description Since the late 1950s, the Argentine writer Abelardo Castillo has published the cultural magazines El Grillo de Papel (1959-1960), El Escarabajo de Oro (1961-1974) and El Ornitorrinco (1977-1986). Under Sartre's notorious influence, their pages framed the theater in philosophical, sociological, and political discussions. This study of critical reception shows different ways in which these publications intervened accompanying the irruption of European absurdity in the Río de la Plata cultural field: from the beginning in the transdisciplinary and experimental El Grillo ..., to the interest in avant-garde expressions and the problems they present in front of the models of traditional representation, deployed in El Escarabajo ... This trail inscribes traces of a genealogy of the independent theater, as well as episodes of the debate on the social function of theater.
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spelling doaj-art-7bb2dbe91eaa452c9e9a98a2cbcdb7492024-12-06T11:58:37ZdeuFöreningen Tidskriften Moderna språkModerna Språk2000-35602017-08-01111110.58221/mosp.v111i1.7783El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo CastilloLucas Rimoldi0CONICET Since the late 1950s, the Argentine writer Abelardo Castillo has published the cultural magazines El Grillo de Papel (1959-1960), El Escarabajo de Oro (1961-1974) and El Ornitorrinco (1977-1986). Under Sartre's notorious influence, their pages framed the theater in philosophical, sociological, and political discussions. This study of critical reception shows different ways in which these publications intervened accompanying the irruption of European absurdity in the Río de la Plata cultural field: from the beginning in the transdisciplinary and experimental El Grillo ..., to the interest in avant-garde expressions and the problems they present in front of the models of traditional representation, deployed in El Escarabajo ... This trail inscribes traces of a genealogy of the independent theater, as well as episodes of the debate on the social function of theater. https://publicera.kb.se/mosp/article/view/7783cultural magazinesabsurdismRío de la Plata cultural fieldcritical reception
spellingShingle Lucas Rimoldi
El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
Moderna Språk
cultural magazines
absurdism
Río de la Plata cultural field
critical reception
title El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
title_full El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
title_fullStr El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
title_full_unstemmed El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
title_short El ingreso del absurdo al campo cultural rioplatense a través de tres revistas periódicas dirigidas por Abelardo Castillo
title_sort el ingreso del absurdo al campo cultural rioplatense a traves de tres revistas periodicas dirigidas por abelardo castillo
topic cultural magazines
absurdism
Río de la Plata cultural field
critical reception
url https://publicera.kb.se/mosp/article/view/7783
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