Escrituras femininas de l’après 68 : Rosalina Ròcha
The years after 1968 saw the flowering of a new Occitan literary creation, accompanied by the Nouvelle chanson occitane - born in 1965 with Gui Broglia's interpretations of Robert Lafont. A militant theatre was also born. In these forms of expression, women's voices were heard, albeit in a...
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| Format: | Article |
| Language: | fra |
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Presses universitaires de la Méditerranée
2021-12-01
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| Series: | Revue des Langues Romanes |
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| Online Access: | https://journals.openedition.org/rlr/4550 |
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| author | Maria-Joana Verny |
| author_facet | Maria-Joana Verny |
| author_sort | Maria-Joana Verny |
| collection | DOAJ |
| description | The years after 1968 saw the flowering of a new Occitan literary creation, accompanied by the Nouvelle chanson occitane - born in 1965 with Gui Broglia's interpretations of Robert Lafont. A militant theatre was also born. In these forms of expression, women's voices were heard, albeit in a minority. This article focuses on one of them, Roseline Roche, author of several collections, first of poetry and then of prose, and talented editor of the literary review Jorn, before taking refuge in silence, discouraged by the lack of criticism of her texts. A woman's voice, evoking dramas that are often invisible behind the daily life of women, children, adolescents and adults. |
| format | Article |
| id | doaj-art-7b8a235a5e5a4b0781d7d3c3b10d9820 |
| institution | Kabale University |
| issn | 0223-3711 2391-114X |
| language | fra |
| publishDate | 2021-12-01 |
| publisher | Presses universitaires de la Méditerranée |
| record_format | Article |
| series | Revue des Langues Romanes |
| spelling | doaj-art-7b8a235a5e5a4b0781d7d3c3b10d98202025-01-06T09:24:18ZfraPresses universitaires de la MéditerranéeRevue des Langues Romanes0223-37112391-114X2021-12-0112533134910.4000/rlr.4550Escrituras femininas de l’après 68 : Rosalina RòchaMaria-Joana VernyThe years after 1968 saw the flowering of a new Occitan literary creation, accompanied by the Nouvelle chanson occitane - born in 1965 with Gui Broglia's interpretations of Robert Lafont. A militant theatre was also born. In these forms of expression, women's voices were heard, albeit in a minority. This article focuses on one of them, Roseline Roche, author of several collections, first of poetry and then of prose, and talented editor of the literary review Jorn, before taking refuge in silence, discouraged by the lack of criticism of her texts. A woman's voice, evoking dramas that are often invisible behind the daily life of women, children, adolescents and adults.https://journals.openedition.org/rlr/4550occitan literatureRoseline Rochemay 1968occitan theatreoccitan song |
| spellingShingle | Maria-Joana Verny Escrituras femininas de l’après 68 : Rosalina Ròcha Revue des Langues Romanes occitan literature Roseline Roche may 1968 occitan theatre occitan song |
| title | Escrituras femininas de l’après 68 : Rosalina Ròcha |
| title_full | Escrituras femininas de l’après 68 : Rosalina Ròcha |
| title_fullStr | Escrituras femininas de l’après 68 : Rosalina Ròcha |
| title_full_unstemmed | Escrituras femininas de l’après 68 : Rosalina Ròcha |
| title_short | Escrituras femininas de l’après 68 : Rosalina Ròcha |
| title_sort | escrituras femininas de l apres 68 rosalina rocha |
| topic | occitan literature Roseline Roche may 1968 occitan theatre occitan song |
| url | https://journals.openedition.org/rlr/4550 |
| work_keys_str_mv | AT mariajoanaverny escriturasfemininasdelapres68rosalinarocha |