Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable

Cuban migration to Europe and America (North, Central and South) has designed a creative and pedagogical map that expands its original theatrical geography into the new “lived spaces” (Ortiz & Mendoza) -sometimes these being bilingual spaces. In the last fifty years Cuban migrants have processed...

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Main Author: Ileana Azor
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2009-12-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/3386
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author Ileana Azor
author_facet Ileana Azor
author_sort Ileana Azor
collection DOAJ
description Cuban migration to Europe and America (North, Central and South) has designed a creative and pedagogical map that expands its original theatrical geography into the new “lived spaces” (Ortiz & Mendoza) -sometimes these being bilingual spaces. In the last fifty years Cuban migrants have processed their journeys of displacement by recovering their own cultural History through the generation of new Imaginaries and Institutions, creating in consequence new aesthetic scenarios articulated by a “frontal discourse” or a “rhetorical tissue” (Azor). These new aesthetic scenarios reveal the multicultural dialogue of a transcending “cubanidad”.
format Article
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institution Kabale University
issn 1628-6731
1777-5175
language Spanish
publishDate 2009-12-01
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
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spelling doaj-art-787e8f65a2724d6a8db12eeb42527e742025-01-10T14:55:33ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3386Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpableIleana AzorCuban migration to Europe and America (North, Central and South) has designed a creative and pedagogical map that expands its original theatrical geography into the new “lived spaces” (Ortiz & Mendoza) -sometimes these being bilingual spaces. In the last fifty years Cuban migrants have processed their journeys of displacement by recovering their own cultural History through the generation of new Imaginaries and Institutions, creating in consequence new aesthetic scenarios articulated by a “frontal discourse” or a “rhetorical tissue” (Azor). These new aesthetic scenarios reveal the multicultural dialogue of a transcending “cubanidad”.https://journals.openedition.org/alhim/3386identitymulticulturalmigrationCuban theatrebilingual
spellingShingle Ileana Azor
Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
Les Cahiers ALHIM
identity
multicultural
migration
Cuban theatre
bilingual
title Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
title_full Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
title_fullStr Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
title_full_unstemmed Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
title_short Migraciones y teatro: conformación de un nuevo mapa teatral cubano, más allá de la insularidad palpable
title_sort migraciones y teatro conformacion de un nuevo mapa teatral cubano mas alla de la insularidad palpable
topic identity
multicultural
migration
Cuban theatre
bilingual
url https://journals.openedition.org/alhim/3386
work_keys_str_mv AT ileanaazor migracionesyteatroconformaciondeunnuevomapateatralcubanomasalladelainsularidadpalpable