Blurring boundaries: early Sinhala cinema as another Adam’s Bridge between Ceylon and India (1948-1968)
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as a cultural and political articulation between these two spatialities, transcending colonial boundaries and traditional rivalries. I will argue that nascent cinema coalesced the Indo-Sri Lankan spaces...
Saved in:
Main Author: | Vilasnee TAMPOE-HAUTIN |
---|---|
Format: | Article |
Language: | English |
Published: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2017-06-01
|
Series: | E-REA |
Subjects: | |
Online Access: | https://journals.openedition.org/erea/5862 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950)
by: Vilasnee Tampoe-Hautin
Published: (2021-06-01) -
In the Name of the British People: Words and Democracy in Three Post-Brexit Films
by: Nicole Cloarec
Published: (2021-07-01) -
EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY
by: E. E. Ibrayev
Published: (2016-08-01) -
Situating the Jungle-village in Leonard Woolf’s The Village in the Jungle (1913)
by: Vihanga Perera
Published: (2023-09-01) -
Tell Me Lies (Peter Brook, 1968) or How I Learned to Start Worrying about Vietnam
by: Nicole Cloarec
Published: (2022-06-01)