L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous

Alan Berliner is a fascinating, unclassifiable independent filmmaker who has devoted 25 years to the making of films which have led him from a reflection on family in general to the questioning of his own family, then to an interrogation on identity and finally to his self-portrayal as an artist. Th...

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Main Author: Jean-Luc Lioult
Format: Article
Language:English
Published: Presses universitaires de Rennes 2014-02-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/5596
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author Jean-Luc Lioult
author_facet Jean-Luc Lioult
author_sort Jean-Luc Lioult
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description Alan Berliner is a fascinating, unclassifiable independent filmmaker who has devoted 25 years to the making of films which have led him from a reflection on family in general to the questioning of his own family, then to an interrogation on identity and finally to his self-portrayal as an artist. These works do not completely meet the usual standards of subjective or autobiographical documentaries. Historically speaking, Berliner may appear as an inheritor of various trends dealing with intimacy and self-inscription. According to the criteria formulated by Bill Nichols, his works display a strong reflexivity, and subsequently a good deal of performativity. But above all, he has developed a style of his own. He is a virtuoso of montage creating sophisticated signifying figures, often dissociating the sound from the image, to reveal latent meanings, unexpected correspondences, contradictions and distortions. Nobody’s Business, possibly his masterpiece, draws a portrait of his own (reluctant) father and shuffles around History, individual life storytelling, psychodrama and genetics, to eventually convince us that the personal is universal.
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spelling doaj-art-760658712be348c3bdd6aa993f8c82be2025-01-06T09:03:17ZengPresses universitaires de RennesRevue LISA1762-61532014-02-0112110.4000/lisa.5596L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tousJean-Luc LioultAlan Berliner is a fascinating, unclassifiable independent filmmaker who has devoted 25 years to the making of films which have led him from a reflection on family in general to the questioning of his own family, then to an interrogation on identity and finally to his self-portrayal as an artist. These works do not completely meet the usual standards of subjective or autobiographical documentaries. Historically speaking, Berliner may appear as an inheritor of various trends dealing with intimacy and self-inscription. According to the criteria formulated by Bill Nichols, his works display a strong reflexivity, and subsequently a good deal of performativity. But above all, he has developed a style of his own. He is a virtuoso of montage creating sophisticated signifying figures, often dissociating the sound from the image, to reveal latent meanings, unexpected correspondences, contradictions and distortions. Nobody’s Business, possibly his masterpiece, draws a portrait of his own (reluctant) father and shuffles around History, individual life storytelling, psychodrama and genetics, to eventually convince us that the personal is universal.https://journals.openedition.org/lisa/5596identityautobiographyUnited Statesdocumentarysubjective documentaryBerliner Alan
spellingShingle Jean-Luc Lioult
L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
Revue LISA
identity
autobiography
United States
documentary
subjective documentary
Berliner Alan
title L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
title_full L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
title_fullStr L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
title_full_unstemmed L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
title_short L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous
title_sort l oeuvre d alan berliner ou l autobiographie comme l affaire de tous
topic identity
autobiography
United States
documentary
subjective documentary
Berliner Alan
url https://journals.openedition.org/lisa/5596
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