La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola

Usually known due to his journalistic commitment and his famous novels, Emile Zola succumbs to the « theatrical temptation » described by Philippe Chardin. Besides his original theatre plays, the author adapts some of his novels for the stage at the end of the nineteenth century. Such is the case of...

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Main Author: Nejma Omari
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2018-11-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/8694
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author Nejma Omari
author_facet Nejma Omari
author_sort Nejma Omari
collection DOAJ
description Usually known due to his journalistic commitment and his famous novels, Emile Zola succumbs to the « theatrical temptation » described by Philippe Chardin. Besides his original theatre plays, the author adapts some of his novels for the stage at the end of the nineteenth century. Such is the case of the drama in five acts adapted from La Curée and entitled Renée, which it’s interesting to examine the creating process. Indeed, during the ten years between the novel and its adaptation, Zola writes three other texts inspired by Les Rougon-Macquart: a short story, Nantas; the plan of a drama based on this short story and a storyline entitled Un homme à vendre. Therefore, it appears that La Curée and its variations constitute a short serie which raises the questions of theatrical adaptation and its practical needs.
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spelling doaj-art-74e9ce9e12da49d98bc39f35a75ce6aa2024-12-09T13:42:19ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982018-11-011410.4000/carnets.8694La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile ZolaNejma OmariUsually known due to his journalistic commitment and his famous novels, Emile Zola succumbs to the « theatrical temptation » described by Philippe Chardin. Besides his original theatre plays, the author adapts some of his novels for the stage at the end of the nineteenth century. Such is the case of the drama in five acts adapted from La Curée and entitled Renée, which it’s interesting to examine the creating process. Indeed, during the ten years between the novel and its adaptation, Zola writes three other texts inspired by Les Rougon-Macquart: a short story, Nantas; the plan of a drama based on this short story and a storyline entitled Un homme à vendre. Therefore, it appears that La Curée and its variations constitute a short serie which raises the questions of theatrical adaptation and its practical needs.https://journals.openedition.org/carnets/8694Zola (Émile)theatreadaptationliterary genreseriality
spellingShingle Nejma Omari
La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
Carnets
Zola (Émile)
theatre
adaptation
literary genre
seriality
title La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
title_full La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
title_fullStr La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
title_full_unstemmed La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
title_short La « mise en pièce » de Renée : Genèse et impératifs de l’adaptation d’Émile Zola
title_sort la mise en piece de renee genese et imperatifs de l adaptation d emile zola
topic Zola (Émile)
theatre
adaptation
literary genre
seriality
url https://journals.openedition.org/carnets/8694
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