Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century

The article is devoted to studying the implementation/manifestation/reflection of archetypal features of kolomyika, as a traditional genre of Ukrainian folk art, in the music of Ukrainian composers. The kolomyika has been determined to be a typified intoneme, a semantic-meaning unit, with a set of...

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Main Authors: Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA
Format: Article
Language:English
Published: Babeș-Bolyai University 2024-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8593
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author Maryna VARAKUTA
Daryna KUPINA
Maryna VOTINTSEVA
author_facet Maryna VARAKUTA
Daryna KUPINA
Maryna VOTINTSEVA
author_sort Maryna VARAKUTA
collection DOAJ
description The article is devoted to studying the implementation/manifestation/reflection of archetypal features of kolomyika, as a traditional genre of Ukrainian folk art, in the music of Ukrainian composers. The kolomyika has been determined to be a typified intoneme, a semantic-meaning unit, with a set of specific speech features, which sprouts/appears in the music of Ukrainian composers, connecting with concert genres. It has been revealed that the kolomyika intonation complex often serves as the basis of an instrumental piece, which has been confirmed by a large number of Ukrainian composers’ opuses, since the second half of the 19th century to the present day. Examples of the kolomyika genre usage have been proven to be sporadic in choral music. That is why Kolomyika for mixed choir, percussion instruments, and piano by the Ukrainian composer Volodymyr Zubytsky is an interesting example of the embodiment of the genre within the framework of choral music. It is proved that the genre of kolomyika is interpreted by Zubytsky as a universal intonation-semantic model, raised to the level of philosophical generalization, which allows the composer to address the exciting socio-political issues of the present employing an artificial genre.
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publishDate 2024-12-01
publisher Babeș-Bolyai University
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-74a0ac812caa4eab959c6f99a52d42e62024-12-26T10:57:02ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282024-12-0169210.24193/subbmusica.2024.2.17Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st CenturyMaryna VARAKUTA0https://orcid.org/0000-0003-0863-8829Daryna KUPINA1https://orcid.org/0000-0001-9624-9916Maryna VOTINTSEVA2https://orcid.org/0000-0001-6947-8553Department of History and Theory of Music, "M. Glinka" Dnipropetrovsk Music Academy, Dnipro, Ukraine. Email: amilomarina@i.uaDepartment of History and Theory of Music, "M. Glinka" Dnipropetrovsk Music Academy, Dnipro, Ukraine. Email: amilomarina@i.uaDepartment of History and Theory of Music, "M. Glinka" Dnipropetrovsk Music Academy, Dnipro, Ukraine. Email: emirdarina@gmail.comDepartment of Translation and Linguistic Preparation of Foreigners, Oles Honchar Dnipro National University, Dnipro, Ukraine. Email: votis@ua.fm The article is devoted to studying the implementation/manifestation/reflection of archetypal features of kolomyika, as a traditional genre of Ukrainian folk art, in the music of Ukrainian composers. The kolomyika has been determined to be a typified intoneme, a semantic-meaning unit, with a set of specific speech features, which sprouts/appears in the music of Ukrainian composers, connecting with concert genres. It has been revealed that the kolomyika intonation complex often serves as the basis of an instrumental piece, which has been confirmed by a large number of Ukrainian composers’ opuses, since the second half of the 19th century to the present day. Examples of the kolomyika genre usage have been proven to be sporadic in choral music. That is why Kolomyika for mixed choir, percussion instruments, and piano by the Ukrainian composer Volodymyr Zubytsky is an interesting example of the embodiment of the genre within the framework of choral music. It is proved that the genre of kolomyika is interpreted by Zubytsky as a universal intonation-semantic model, raised to the level of philosophical generalization, which allows the composer to address the exciting socio-political issues of the present employing an artificial genre. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8593kolomyikagenre archetypeintonation modelcomposer's mentalitycreativity of Volodymyr Zubytskychoral concert
spellingShingle Maryna VARAKUTA
Daryna KUPINA
Maryna VOTINTSEVA
Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
Studia Universitatis Babeş-Bolyai. Musica
kolomyika
genre archetype
intonation model
composer's mentality
creativity of Volodymyr Zubytsky
choral concert
title Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
title_full Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
title_fullStr Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
title_full_unstemmed Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
title_short Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century
title_sort archetypical signs of the kolomyika in the ukrainian music of the 21st century
topic kolomyika
genre archetype
intonation model
composer's mentality
creativity of Volodymyr Zubytsky
choral concert
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8593
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AT darynakupina archetypicalsignsofthekolomyikaintheukrainianmusicofthe21stcentury
AT marynavotintseva archetypicalsignsofthekolomyikaintheukrainianmusicofthe21stcentury