All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries

Since the mid-1980s televised wildlife documentaries have become increasingly spectacular. In particular, documentaries revolving around large predators have not just proliferated, but supported entire networks, as evidenced by Discovery’s Shark Week, which has enjoyed a phenomenal success since its...

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Main Author: Michael Fuchs
Format: Article
Language:English
Published: European Association for American Studies 2018-06-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/12446
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author Michael Fuchs
author_facet Michael Fuchs
author_sort Michael Fuchs
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description Since the mid-1980s televised wildlife documentaries have become increasingly spectacular. In particular, documentaries revolving around large predators have not just proliferated, but supported entire networks, as evidenced by Discovery’s Shark Week, which has enjoyed a phenomenal success since its introduction in 1988. Shark Week, as Matthew Lerberg (2016) has shown, epitomizes the representational reductionism which operates across media—sharks are nothing but fin and jaws. Drawing on audiovisual conventions established by Jaws, sharks tend to be depicted as monsters—even in programs with didactic and/or conservationist goals. In this article, I explore representations of another large predator family, bears, in two Animal Planet documentaries. As I show, the monstrous bears embody human anxieties, but they also invite human sympathy, as human beings have turned them into monsters.
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spelling doaj-art-7421c6f987a5487a9dbfe38e70e7dd842025-01-06T09:09:22ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362018-06-0113110.4000/ejas.12446All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television DocumentariesMichael FuchsSince the mid-1980s televised wildlife documentaries have become increasingly spectacular. In particular, documentaries revolving around large predators have not just proliferated, but supported entire networks, as evidenced by Discovery’s Shark Week, which has enjoyed a phenomenal success since its introduction in 1988. Shark Week, as Matthew Lerberg (2016) has shown, epitomizes the representational reductionism which operates across media—sharks are nothing but fin and jaws. Drawing on audiovisual conventions established by Jaws, sharks tend to be depicted as monsters—even in programs with didactic and/or conservationist goals. In this article, I explore representations of another large predator family, bears, in two Animal Planet documentaries. As I show, the monstrous bears embody human anxieties, but they also invite human sympathy, as human beings have turned them into monsters.https://journals.openedition.org/ejas/12446Animal Planetgrizzly bearsblack bearswildlife documentariesmonstrosity
spellingShingle Michael Fuchs
All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
European Journal of American Studies
Animal Planet
grizzly bears
black bears
wildlife documentaries
monstrosity
title All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
title_full All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
title_fullStr All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
title_full_unstemmed All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
title_short All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries
title_sort all teeth and claws constructing bears as man eating monsters in television documentaries
topic Animal Planet
grizzly bears
black bears
wildlife documentaries
monstrosity
url https://journals.openedition.org/ejas/12446
work_keys_str_mv AT michaelfuchs allteethandclawsconstructingbearsasmaneatingmonstersintelevisiondocumentaries