Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin
In his play, Love me tender created in 2017, Jean-Hugues Mirédin summons both parody, humour and stereotypes, as well as the questioning of phenotypes and representations of gendered identities. The play questions gendered symbolic constructions within scenic images and work on imaginary bodies that...
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Format: | Article |
Language: | English |
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TELEMME - UMR 6570
2022-12-01
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Series: | Amnis |
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Online Access: | https://journals.openedition.org/amnis/7600 |
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author | Karine Bénac-Giroux |
author_facet | Karine Bénac-Giroux |
author_sort | Karine Bénac-Giroux |
collection | DOAJ |
description | In his play, Love me tender created in 2017, Jean-Hugues Mirédin summons both parody, humour and stereotypes, as well as the questioning of phenotypes and representations of gendered identities. The play questions gendered symbolic constructions within scenic images and work on imaginary bodies that suggest an omnipresent violence and tension at the heart of gender relations. If virility becomes burlesque here, the link remains strong between the eroticization of the female body and the violence of sexual desire, while the couple finally appears as a pure game of signifiers. |
format | Article |
id | doaj-art-73eeb57726b64763a76e79cfde7bcb98 |
institution | Kabale University |
issn | 1764-7193 |
language | English |
publishDate | 2022-12-01 |
publisher | TELEMME - UMR 6570 |
record_format | Article |
series | Amnis |
spelling | doaj-art-73eeb57726b64763a76e79cfde7bcb982025-01-09T16:30:35ZengTELEMME - UMR 6570Amnis1764-71932022-12-01410.4000/amnis.7600Genre, couple et violence dans Love me tender de Jean-Hugues MirédinKarine Bénac-GirouxIn his play, Love me tender created in 2017, Jean-Hugues Mirédin summons both parody, humour and stereotypes, as well as the questioning of phenotypes and representations of gendered identities. The play questions gendered symbolic constructions within scenic images and work on imaginary bodies that suggest an omnipresent violence and tension at the heart of gender relations. If virility becomes burlesque here, the link remains strong between the eroticization of the female body and the violence of sexual desire, while the couple finally appears as a pure game of signifiers.https://journals.openedition.org/amnis/7600Genderviolencetheatre/dancecouplestereotypeshumour |
spellingShingle | Karine Bénac-Giroux Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin Amnis Gender violence theatre/dance couple stereotypes humour |
title | Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin |
title_full | Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin |
title_fullStr | Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin |
title_full_unstemmed | Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin |
title_short | Genre, couple et violence dans Love me tender de Jean-Hugues Mirédin |
title_sort | genre couple et violence dans love me tender de jean hugues miredin |
topic | Gender violence theatre/dance couple stereotypes humour |
url | https://journals.openedition.org/amnis/7600 |
work_keys_str_mv | AT karinebenacgiroux genrecoupleetviolencedanslovemetenderdejeanhuguesmiredin |