Shin Evangelion : quand Anno Hideaki retourne (à) la Terre
The Evangelion franchise, based on the animated series and films directed by Anno Hideaki, has held a significant place in the Japanese cultural ecosystem since 1995, particularly for its role in the development of the consumer culture known as “otaku”. This culture is characterized by its tendency...
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| Format: | Article |
| Language: | English |
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Institut français de recherche sur le Japon à la Maison franco-japonaise
2024-12-01
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| Series: | Ebisu: Études Japonaises |
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| Online Access: | https://journals.openedition.org/ebisu/9519 |
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| _version_ | 1841546514347851776 |
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| author | Antonin Bechler Kenjirō Muramatsu |
| author_facet | Antonin Bechler Kenjirō Muramatsu |
| author_sort | Antonin Bechler |
| collection | DOAJ |
| description | The Evangelion franchise, based on the animated series and films directed by Anno Hideaki, has held a significant place in the Japanese cultural ecosystem since 1995, particularly for its role in the development of the consumer culture known as “otaku”. This culture is characterized by its tendency to deliberately blend reality and virtuality, giving rise to phenomena such as “anime tourism”. Assuming that Evangelion reflects an evolution regarding the relationship with reality in contemporary Japan, this article focuses on its director’s background, the thematic and cinematic specificities of his works, with a focus on the final feature film of 2021 and its surprisingly in-depth depiction of a “rural community”. In doing so, the article questions the meanings and status of the “reality” depicted in the film. |
| format | Article |
| id | doaj-art-72e9250d3149430d9dbc3d7dab472303 |
| institution | Kabale University |
| issn | 2189-1893 |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Institut français de recherche sur le Japon à la Maison franco-japonaise |
| record_format | Article |
| series | Ebisu: Études Japonaises |
| spelling | doaj-art-72e9250d3149430d9dbc3d7dab4723032025-01-10T16:41:22ZengInstitut français de recherche sur le Japon à la Maison franco-japonaiseEbisu: Études Japonaises2189-18932024-12-01619712810.4000/1313mShin Evangelion : quand Anno Hideaki retourne (à) la TerreAntonin BechlerKenjirō MuramatsuThe Evangelion franchise, based on the animated series and films directed by Anno Hideaki, has held a significant place in the Japanese cultural ecosystem since 1995, particularly for its role in the development of the consumer culture known as “otaku”. This culture is characterized by its tendency to deliberately blend reality and virtuality, giving rise to phenomena such as “anime tourism”. Assuming that Evangelion reflects an evolution regarding the relationship with reality in contemporary Japan, this article focuses on its director’s background, the thematic and cinematic specificities of his works, with a focus on the final feature film of 2021 and its surprisingly in-depth depiction of a “rural community”. In doing so, the article questions the meanings and status of the “reality” depicted in the film.https://journals.openedition.org/ebisu/9519Japanfictionanimationtourismnaturevirtual |
| spellingShingle | Antonin Bechler Kenjirō Muramatsu Shin Evangelion : quand Anno Hideaki retourne (à) la Terre Ebisu: Études Japonaises Japan fiction animation tourism nature virtual |
| title | Shin Evangelion : quand Anno Hideaki retourne (à) la Terre |
| title_full | Shin Evangelion : quand Anno Hideaki retourne (à) la Terre |
| title_fullStr | Shin Evangelion : quand Anno Hideaki retourne (à) la Terre |
| title_full_unstemmed | Shin Evangelion : quand Anno Hideaki retourne (à) la Terre |
| title_short | Shin Evangelion : quand Anno Hideaki retourne (à) la Terre |
| title_sort | shin evangelion quand anno hideaki retourne a la terre |
| topic | Japan fiction animation tourism nature virtual |
| url | https://journals.openedition.org/ebisu/9519 |
| work_keys_str_mv | AT antoninbechler shinevangelionquandannohideakiretournealaterre AT kenjiromuramatsu shinevangelionquandannohideakiretournealaterre |