Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager

Alongside class, gender and age, race as an elementary category in modern science fiction is particularly apparent in the Star Trek franchise. The television series Star Trek: Voyager (USA 1995–2001) presents race as a cultural construct that depends on the specific depiction of technology and how i...

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Main Author: Nils Jablonski
Format: Article
Language:English
Published: European Association for American Studies 2021-07-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/16943
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author Nils Jablonski
author_facet Nils Jablonski
author_sort Nils Jablonski
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description Alongside class, gender and age, race as an elementary category in modern science fiction is particularly apparent in the Star Trek franchise. The television series Star Trek: Voyager (USA 1995–2001) presents race as a cultural construct that depends on the specific depiction of technology and how it is used. This article analyzes several episodes of Voyager in order to explore how the series connects alien otherness with a certain practice of technology. It is this practice that determines the extent of the aliens’ monstrosity; this practice either conforms with or deviates from the humanist values associated with technology and its use. Calling the universality of these values into question, the series presents a specifically posthuman depiction of race as technological construct.
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spelling doaj-art-71ac97c0ea854c63b9c5f2e88ac5a8692025-01-06T09:08:36ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362021-07-0116210.4000/ejas.16943Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: VoyagerNils JablonskiAlongside class, gender and age, race as an elementary category in modern science fiction is particularly apparent in the Star Trek franchise. The television series Star Trek: Voyager (USA 1995–2001) presents race as a cultural construct that depends on the specific depiction of technology and how it is used. This article analyzes several episodes of Voyager in order to explore how the series connects alien otherness with a certain practice of technology. It is this practice that determines the extent of the aliens’ monstrosity; this practice either conforms with or deviates from the humanist values associated with technology and its use. Calling the universality of these values into question, the series presents a specifically posthuman depiction of race as technological construct.https://journals.openedition.org/ejas/16943cultural studiesgendergenreracetelevisionposthumanism
spellingShingle Nils Jablonski
Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
European Journal of American Studies
cultural studies
gender
genre
race
television
posthumanism
title Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
title_full Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
title_fullStr Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
title_full_unstemmed Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
title_short Alien Monstrosity: The Practice of Technology and “Race” as Technological Construct in Star Trek: Voyager
title_sort alien monstrosity the practice of technology and race as technological construct in star trek voyager
topic cultural studies
gender
genre
race
television
posthumanism
url https://journals.openedition.org/ejas/16943
work_keys_str_mv AT nilsjablonski alienmonstrositythepracticeoftechnologyandraceastechnologicalconstructinstartrekvoyager